Black History Month: New Releases

Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before. They are both terrified of the forest at the end of Marsh Creek Lane. The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for 11 years.

Hope and circumstance define a young woman's life in this heartbreaking tale of lost innocence, set in politically volatile 1990s Nigeria, from an exciting and fresh voice in global literature.  For as long as she can remember, Patience Adewale, the eldest daughter of Chief Kolade Adewale, has been waiting for confirmation that she is loved, that there is a place where she truly belongs. Suspenseful and evoking the subtleties of Nigerian life in an fresh and unexpected way, Patience Is a Subtle Thief is a heart-wrenching story of one young woman's precarious journey to adulthood, and the risks and sacrifices it takes to follow her heart.

In the vein of Such a Fun Age, a whip-smart, compulsively readable novel about two upper-class stay-at-home mothers--one white, one Black--living in a "perfect" suburb that explores motherhood, friendship, and the true meaning of sisterhood amidst the backdrop of America's all-too-familiar racial reckoning.

A timeless tale of one man's decline into the depths of addiction that is at both a shocking study of the addict's life, and a deeply compelling and often uplifting tale of human love and loss. First published at the height of the crack cocaine epidemic thirty years ago, Ray Shell's "powerhouse" (Maya Angelou) of a novel is as timely and relevant today as it was in 1994. Resonant and haunting, illuminating and heartbreaking, Iced paints a portait of being Black in America, and the ways in which marginalized communities are targeted and ignored, left to suffer the consequences of policies made by powerful people ignorant and uncaring of their lives. It is a novel that transcends time, offering a glimpse of the past that is present in our lives today.

Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America's own in this explosive, hotly-anticipated debut novel from the New York Times bestselling author of Friday Black * Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alli­ance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a "new and necessary American voice" (Tommy Orange, The New York Times Book Review).

Two Black sisters growing up in small-town New England fight to protect their home, their bodies, and their dreams as the Civil Rights Movement sweeps the nation in Promise, a "magical, magnificent novel" (Marlon James) from "a startlingly fresh voice" (Jacqueline Woodson). A KIRKUS REVIEWS AND CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR The people of Salt Point could indeed be fearful about the world beyond themselves; most of them would be born and die without ever having gone more than twenty or thirty miles from houses that were crammed with generations of their families. . . . But something was shifting at the end of summer 1957. The Kindred sisters--Ezra and Cinthy--have grown up with an abundance of love. Love from their parents, who let them believe that the stories they tell on stars can come true. Love from their neighbors, the Junketts, the only other Black family in town, whose home is filled with spice-rubbed ribs and ground-shaking hugs. And love for their adopted hometown of Salt Point, a beautiful Maine village perched high up on coastal bluffs. But as the girls hit adolescence, their white neighbors, including Ezra's best friend, Ruby, start to see their maturing bodies and minds in a different way. And as the news from distant parts of the country fills with calls for freedom, equality, and justice for Black Americans, the white villagers of Salt Point begin to view the Kindreds and the Junketts as threats to their way of life. Amid escalating violence, prejudice, and fear, bold Ezra and watchful Cinthy must reach deep inside the wells of love they've built to commit great acts of heroism and grace on the path to survival. In luminous, richly descriptive writing, Promise celebrates one family's story of resistance. It's a book that will break your heart--and then rebuild it with courage, hope, and love.

Fletcher Dukes and Altovise Benson reunite after decades apart--and a mountain of secrets--in this debut exploring the repercussions of a single choice and how an enduring talisman challenges and holds a family together. On a routine trip to the Piggly Wiggly in Albany, Georgia, widower Fletcher Dukes smells a familiar perfume, then sees a tall woman the color of papershell pecans with a strawberry birthmark on the nape of her neck. He knows immediately that she is his lost love, Altovise Benson. Their bond, built on county fairs, sit-ins, and marches, once seemed a sure and forever thing. But their marriage plans were disrupted when the police turned a peaceful protest violent. Before Altovise fled the South, Fletcher gave her a peach seed monkey with diamond eyes. As we learn via harrowing flashbacks, an enslaved ancestor on the coast of South Carolina carved the first peach seed, a talisman that, ever since, each father has gifted his son on his thirteenth birthday. Giving one to Altovise initiated a break in tradition, irrevocably shaping the lives of generations of Dukeses. Recently, Fletcher has made do on his seven acres with his daughter Florida's check-ins, his drop biscuits, and his faithful dog. But as he begins to reckon with long-ago choices, he finds he isn't the only one burdened with unspoken truths. An indelible portrait of a family, The Peach Seed explores how kin pass down legacies of sorrow, joy, and strength. And it is a parable of how a glimmer of hope as small as a seed can ripple across generations.

Now in paperback, a masterful debut story collection named one of Publishers Weekly's Best Books of 2023 Shannon Sanders's sparkling debut brings us into the company of the Collins family and their acquaintances as they meet, bicker, compete, celebrate, worry, keep and reveal secrets, build lives and careers, and endure. Moving from Atlantic City to New York to DC, from the 1960s to the 2000s, from law students to drag performers to violinists to matriarchs, Company tells a multifaceted, multigenerational saga in thirteen stories. Each piece includes a moment when a guest arrives at someone's home. In "The Good, Good Men," two brothers reunite to oust a "deadbeat" boyfriend from their mother's house. In "The Everest Society," the brothers' sister anxiously prepares for a home visit from a social worker before adopting a child. In "Birds of Paradise," their aunt, newly promoted to university provost, navigates a minefield of microaggressions at her own welcome party. And in the haunting title story, the provost's sister finds her solitary life disrupted when her late sister's daughter comes calling. These are stories about intimacy, societal and familial obligations, and the ways inheritances shape our fates. Buoyant, somber, sharp, and affectionate, this collection announces a remarkable new voice in fiction.

Meridian Hill, a dedicated and courageous young activist in the 1960s, works to create peace and understanding through her civil rights work, touching the lives of all those she meets even when her health begins to deteriorate. With the old rules of Southern society collapsing around her, her coworkers quitting and moving to comfortable homes and lives, and others turning to more violent means of achieving change, Meridian fights a lonely battle to reaffirm her own humanity--and that of all her people.

"Amazing...I was completely surprised by the ending of this beautifully told and written book." --Reese Witherspoon "A triumph of historical fiction" (The Washington Post), an instant New York Times bestseller, and a Reese's Book Club pick, set in 1950s Philadelphia and Washington, DC, that explores what it means to be a woman and a mother, and how much one is willing to sacrifice to achieve her greatest goal. 1950s Philadelphia: fifteen-year-old Ruby Pearsall is on track to becoming the first in her family to attend college. But a taboo love affair threatens to pull her back down into the poverty and desperation that has been passed on to her like a birthright. Eleanor Quarles arrives in Washington, DC, with ambition and secrets. When she meets the handsome William Pride at Howard University, they fall madly in love. But William hails from one of DC's elite wealthy Black families, and his parents don't let just anyone into their fold. Eleanor hopes that a baby will make her finally feel at home in William's family and grant her the life she's been searching for. But having a baby--and fitting in--is easier said than done. With their stories colliding in the most unexpected of ways, Ruby and Eleanor will both make decisions that shape the trajectory of their lives.

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.   Annis, sold south by the white enslaver who fathered her, is the reader's guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.   From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land--the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward's most magnificent novel yet, a masterwork for the ages.  

"An unwavering proclamation of Black girlhood." --Candice Iloh, author of National Book Award finalist Every Body Looking From Ibi Zoboi, bestselling, award-winning author of American Street and co-author of Punching the Air, comes a bold new YA coming-of-age story, which explores race, feminism, and complicated family dynamics. The ideal next read for fans of Elizabeth Acevedo, Jacqueline Woodson, and Roxane Gay. Warrior Princess. That's what Nigeria Jones's father calls her. He has raised her as part of the Movement, a Black separatist group based in Philadelphia. Nigeria is homeschooled and vegan and participates in traditional rituals to connect her and other kids from the group to their ancestors. But when her mother--the perfect matriarch of their Movement--disappears, Nigeria's world is upended. She finds herself taking care of her baby brother and stepping into a role she doesn't want. Nigeria's mother had secrets. She wished for a different life for her children, which includes sending her daughter to a private Quaker school outside of their strict group. Despite her father's disapproval, Nigeria attends the school with her cousin, Kamau, and Sage, who used to be a friend. ­There, she begins to flourish and expand her universe. As Nigeria searches for her mother, she starts to uncover a shocking truth. One that will lead her to question everything she thought she knew about her life and her family. From award-winning author Ibi Zoboi comes a powerful story about discovering who you are in the world--and fighting for that person--by having the courage to be your own revolution.

Intergalactic visions, deadly threats, and explosivestandoffs between mostly good and completely evil converge in a dystopian fantasythat could only be conceived by the inimitable Walter Mosley, one of thecountry's most beloved and acclaimed writers Martin Just wakes up one morning after what feelslike, and might actually be, a centuries-long sleep with two new innate piecesof knowledge: Humanity is a virus destined to destroy all existence. And he isthe Cure. Martin begins slipping into an alternateconsciousness, with new physical strengths, to violently defend his family--theonly Black family in their neighborhood in the Hollywood Hills of Los Angeles-- againstpure evil. Think Octavia Butler meets Jeff VanderMeer meets Jordan Peele. Expansive and innovative, sexy and satirical, Touchedbrilliantly imagines the ways in which human life and technologicalinnovation threaten existence itself. 

From the moment Ava Carson and her ten-year-old son, Toussaint, arrive at the Glenn Avenue family shelter in Philadelphia 1985, Ava is already plotting a way out. She is repulsed by the shelter's squalid conditions: their cockroach-infested room, the barely edible food, and the shifty night security guard. She is determined to rescue her son from the perils and indignities of that place, and to save herself from the complicated past that led them there. Ava has been estranged from her own mother, Dutchess, since she left her Alabama home as a young woman barely out of her teens. Despite their estrangement and the thousand miles between them, mother and daughter are deeply entwined, but Ava can't forgive her sharp-tounged, larger than life mother whose intractability and bouts of debilitating despair brought young Ava to the outer reaches of neglect and hunger. Ava wants to love her son differently, better. But when Toussaint's father, Cass, reappears, she is swept off course by his charisma, and the intoxicating power of his radical vision to destroy systems of racial injustice and bring about a bold new way of communal living.  Meanwhile, in Alabama, Dutchess struggles to keep Bonaparte, once a beacon of Black freedom and self-determination, in the hands of its last five Black residents--families whose lives have been rooted in this stretch of land for generations--and away from rapidly encroaching white developers. She fights against the erasure of Bonaparte's venerable history and the loss of the land itself, which she has so arduously preserved as Ava's inheritance. As Ava becomes more enmeshed with Cass, Toussaint senses the danger simmering all around him--his well-intentioned but erratic mother; the intense, volatile figure of his father who drives his fledgling Philadelphia community toward ever increasing violence and instability. He begins to dream of Dutchess and Bonaparte, his home and birthright, if only he can find his way there.  Brilliant, explosive, vitally important new work from one of America's most fiercely talented storytellers.

Original stories of Black family life in Louisville, Kentucky, for readers of Dantiel Moniz (Milk Blood Heat) and Kai Harris (What the Fireflies Knew). The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers' drug addictions. JayLynn heads to college intent on gaining distance from her depressed mother, only to learn that her mother's illness has reached a terrifying peak. She fears the chaos and instability of her extended family will prove too much for her boyfriend, whose idyllic family feels worlds, not miles, apart from her own. When bats invade Zaria's new home, she is forced to determine how much she is willing to sacrifice to be a good mother. Angel rebels on Derby night, risking her safety to connect with her absent mother and the wild ways that consumed her. Mama Said separates from stereotypes of Black families, presenting instead the joy, humor, and love that coexist with the trauma of drug abuse within communities. Kristen Gentry's stories showcase the wide-reaching repercussions of addiction and the ties that forever bind daughters to their mothers, flaws and all.

A searing and tender novel about a young Black journalist's search for answers in the unsolved murder of her great-grandfather in segregated Birmingham, Alabama, decades ago--inspired by the author's own family history Birmingham, 1929: Robert Lee Harrington, a master carpenter, has just moved to Alabama to pursue a job opportunity, bringing along his pregnant wife and young daughter. Birmingham is in its heyday, known as the "Magic City" for its booming steel industry, and while Robert and his family find much to enjoy in the city's busy markets and vibrant nightlife, it's also a stronghold for the Klan. And with his beautiful, light-skinned wife and snazzy car, Robert begins to worry that he might be drawing the wrong kind of attention.    2019: Meghan McKenzie, the youngest reporter at the Detroit Free Press, has grown up hearing family lore about her great-grandfather's murder--but no one knows the full story of what really happened back then, and his body was never found. Determined to find answers to her family's long-buried tragedy and spurred by the urgency of the Black Lives Matter movement, Meghan travels to Birmingham. But as her investigation begins to uncover dark secrets that spider across both the city and time, her life may be in danger.     Inspired by true events, Time's Undoing is both a passionate tale of one woman's quest for the truth behind the racially motivated trauma that has haunted her family for generations and, as newfound friends and supporters in Birmingham rally around Meghan's search, the uplifting story of a community coming together to fight for change.

Florida kitsch swirls together with magical realism in this glittering debut novel about a young Black and Indigenous woman who learns to change the color of her skin Gabrielle has always had a complicated relationship with her mother Tallulah, one marked by intimacy and resilience in the face of a volatile patriarch. Everything in their home has been bleached a cold white--from the cupboards filled with sheets and crockery to the food and spices Tallulah cooks with. Even Gabrielle, who inherited the ability to change the color of her skin from her mother, is told to pass into white if she doesn't want to upset her father. But this vital mother-daughter bond implodes when Tallulah is hospitalized for a mental health crisis. Separated from her mother for the first time in her life, Gabrielle must learn to control the temperamental shifts in her color on her own. Meanwhile, Gabrielle is spending a year after high school focusing on her piano lessons, an extracurricular her father is sure will make her a more appealing candidate for pre med programs. Her instructor, a queer, dark-skinned woman named Dominique, seems to encapsulate everything Gabrielle is missing in her life--creativity, confidence, and perhaps most importantly, a nurturing sense of love. Following a young woman looking for a world beyond her family's carefully -coded existence, Notes on Her Color is a lushly written and haunting tale that shows how love, in its best sense, can be a liberating force from destructive origins.

From James McBride, a novel about small-town secrets and the people who keep them. In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe.     As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community--heaven and earth--that sustain us.     Bringing his masterly storytelling skills and his deep faith in humanity to The Heaven & Earth Grocery Store, James McBride has written a novel as compassionate as Deacon King Kong and as inventive as The Good Lord Bird.

Fresh and electrifying--stories, poems, and essays by African and diaspora writers, edited by author Nana Ekua Brew-Hammond. Relations punctures the human illusion of separation. New and established storytellers reshape the narratives that divide and subjugate, revealing the truth of our shared humanity despite differences in language, identity, class, gender, and beyond. This vital anthology is Nana Ekua Brew-Hammond's striking vision of a meeting place of perspectives, centered in the African and diaspora experience. In a post-Black Panther world, it is an urgent and welcome embrace of the diversity of Blackness. A refreshing collection of genre-spanning literature, it offers a vibrant meditation on being--inviting connection across real and imagined borders, and celebration of the most profound relations.

"The problem of the twentieth century is the problem of the color line." These were the prescient words of W. E. B. Du Bois's influential 1903 book The Souls of Black Folk. The preeminent Black intellectual of his generation, Du Bois wrote about the trauma of seeing the Reconstruction era's promise of racial equality cruelly dashed by the rise of white supremacist terror and Jim Crow laws. Yet he also argued for the value of African American cultural traditions and provided inspiration for countless civil rights leaders who followed him. Now artist Paul Peart-Smith offers the first graphic adaptation of Du Bois's seminal work.   Peart-Smith's graphic adaptation provides historical and cultural contexts that bring to life the world behind Du Bois's words. Readers will get a deeper understanding of the cultural debates The Souls of Black Folk engaged in, with more background on figures like Booker T. Washington, the advocate of black economic uplift, and the Pan-Africanist minister Alexander Crummell. This beautifully illustrated book vividly conveys the continuing legacy of The Souls of Black Folk, effectively updating it for the era of the 1619 Project and Black Lives Matter.  

When Toni Morrison declares that she "can't wait for the ultimate liberation theory to imagine its practice and do its work," she raises an issue at the heart of modern political thought: How should we understand freedom? And what does freedom mean in the shadow of racial slavery and colonialism? In this study of Toni Morrison's writing, Lawrie Balfour explores Morrison's reflections on the idea of freedom in her novels and nonfiction. While Morrison's literary achievements are widely celebrated, her political thought has yet to receive the same attention. Balfour shows how Morrison's writing illuminates the meanings of freedom and unfreedom in a democratic society founded on both the defense of liberty and the right to enslavement.

This new edition of Phillis Wheatley Peters is the first full-length biography of the poet whose remarkable odyssey took her from being a child enslaved in Africa to becoming an international celebrity by the time she was in her early twenties, only to fall into relative obscurity when she died in 1784 at barely the age of thirty. Grounded in extensive primary research, Phillis Wheatley Peters recovers her life and times and reclaims the recognition and status she deserves as a heroic literary and political figure in an age of heroes.

New attention from historians and journalists is raising pointed questions about the founding period: was the American revolution waged to preserve slavery, and was the Constitution a pact with slavery or a landmark in the antislavery movement? We now have that history in Edward J. Larson's insightful synthesis of the founding. Larson's narrative delivers poignant moments that deepen our understanding: we witness New York's tumultuous welcome of Washington as liberator through the eyes of Daniel Payne, a Black man who had escaped enslavement at Mount Vernon two years before. Indeed, throughout Larson's history it is the voices of Black Americans that prove the most convincing of all on the urgency of liberty.

Sojourner Truth's powerful voice calls to us through this evocative narrative of faith in action--and her words are more relevant than ever.    Though born into slavery, Sojourner Truth would defy the limits placed upon her as a Black woman to become one of the nineteenth century's most renowned female preachers and civil rights advocates. In We Will Be Free, Nancy Koester chronicles her spiritual journey as an enslaved woman, a working mother, and an itinerant preacher and activist.

A book of great hope, Hafizah Augustus Geter's The Black Period creates a map for how to survive: a country, a closet, a mother's death, and the terror of becoming who we are in a world not built to accommodate diverse identities. Through a unique combination of gripping memoir, history, political analysis, cultural criticism, and Afrofuturist thought--alongside stunning original artwork created by her father, renowned artist Tyrone Geter--Hafizah leans into her parents' lessons on the art of Black revision to create a space for the beauty of Blackness, Islam, disability, and queerness to flourish. As exquisitely told as it is innovative, and with a lyricism that dazzles, The Black Period is a reminder that joy and tenderness require courage, too.

The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan's war on drugs, journalist Donovan X. Ramsey's exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality.   Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve.

A riveting and essential new book, The Ground Breaking not only tells the long-suppressed story of the notorious Tulsa race massacre. It also unearths the lost history of how the massacre was covered up, and of the courageous individuals who fought to keep the story alive. Most important, it recounts the ongoing archaeological saga and the search for the unmarked graves of the victims of the massacre, and of the fight to win restitution for the survivors and their families.   Both a forgotten chronicle from the nation's past and a story ripped from today's headlines, The Ground Breaking is a page-turning reflection on how we, as Americans, must wrestle with the parts of our history that have been buried for far too long.

Caleb Gayle tells the story of the Creek Nation, a Native tribe that two centuries ago both owned slaves and accepted Black people as full members. A chief named Cow Tom - a former Black slave - created a treaty with the U.S. government which recognized Creek citizenship for its Black members. This equality was shredded in the 1970s when Creek leadership canceled citizenship to Black Creeks, even those who traced their tribal history back generations. The result is an eye-opening account that challenges our idea of identity, marginalization and white supremacy in America.

A radical new vision of the nation's founding era and a major act of historical recovery. Featuring more than 120 writers, this groundbreaking anthology reveals the astonishing richness and diversity of Black experience in the turbulent decades of the American Revolution Black Writers of the Founding Era is the most comprehensive anthology ever published of Black writing from the turbulent decades surrounding the birth of the United States.

A striking graphic novel edition of the National Book Award-winning history of how racist ideas have shaped American life--from the #1 New York Times bestselling author of How to Be an Antiracist. Racism has persisted throughout history--but so have antiracist efforts to dismantle it. Through deep research and a gripping narrative that illuminates the lives of five key American figures, preeminent historian Ibram X. Kendi reveals how understanding and improving the world cannot happen without identifying and facing the racist forces that shape it.

His Name Is George Floyd tells the story of a beloved figure from Houston's housing projects as he faced the stifling systemic pressures that come with being a Black man in America. Placing his narrative within the context of the country's enduring legacy of institutional racism, this deeply reported account examines Floyd's family roots in slavery and sharecropping, the segregation of his schools, the overpolicing of his community amid a wave of mass incarceration, and the callous disregard toward his struggle with addiction--putting today's inequality into uniquely human terms. Drawing upon hundreds of interviews with Floyd's closest friends and family, his elementary school teachers and varsity coaches, civil rights icons, and those in the highest seats of political power, Washington Post reporters Robert Samuels and Toluse Olorunnipa offer a poignant and moving exploration of George Floyd's America, revealing how a man who simply wanted to breathe ended up touching the world.

New attention from historians and journalists is raising pointed questions about the founding period: was the American revolution waged to preserve slavery, and was the Constitution a pact with slavery or a landmark in the antislavery movement? We now have that history in Edward J. Larson's insightful synthesis of the founding. Larson's narrative delivers poignant moments that deepen our understanding: we witness New York's tumultuous welcome of Washington as liberator through the eyes of Daniel Payne, a Black man who had escaped enslavement at Mount Vernon two years before. Indeed, throughout Larson's history it is the voices of Black Americans that prove the most convincing of all on the urgency of liberty.

A meticulous and exhaustive accounting of the total economic devastation wreaked on Black communities by mass incarceration with an action guide for vital reparations. Stolen Wealth, Hidden Power is a staggering account of the destruction wrought by mass incarceration. Finding that the economic value of the damages to Black individuals, families, and communities totals $7.16 trillion--roughly 86 percent of the current Black-White wealth gap--this compelling and exhaustive analysis puts unprecedented empirical heft behind an urgent call for reparations.

A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr. In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America's slide into Civil War.

You Don't Know Us Negroes is the quintessential gathering of provocative essays from one of the world's most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston's writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people's inner lives and culture rather than destroying it.

Toni Morrison, born Chloe A Wofford, was a towering figure in the world of literature when she entered A.J. Verdelle's life. Their literary friendship was a young writer's dream--simultaneously exhilarating, intimidating, fulfilling, and challenging. Miss Chloe powerfully situates the risks writers face and the freedom they find when they put Black women's lives into words. Verdelle chronicles her grief at Morrison's passing, and finds comfort in Morrison's astute advice. In this pensive and intricately lyrical book, Verdelle honors Morrison among the cultural greats, while illuminating and celebrating the power of language, legacy, and genius.

For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic's founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery. Symbols of Freedom is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom.

This social and cultural history of Civil War medicine and science sheds important light on the question of why and how anti-Black racism survived the destruction of slavery. During the war, white Northerners promoted ideas about Black inferiority under the guise of medical and scientific authority. Drawing on archives of the U.S. Sanitary Commission, recollections of Civil War soldiers and medical workers, and testimonies from Black Americans, Leslie A. Schwalm exposes the racist ideas and practices that shaped wartime medicine and science.

Stephen Foster's "My Old Kentucky Home" has been designated as the official state song and performed at the Kentucky Derby for decades. In light of the ongoing social justice movement to end racial inequality, many have questioned whether the song should be played at public events, given its inaccurate depiction of slavery in the state. In Slavery and Freedom in the Bluegrass State, editor Gerald L. Smith presents a collection of powerful essays that uncover the long-forgotten stories of pain, protest, and perseverance of African Americans in Kentucky.

Undoing Slavery excavates cultural, political, medical, and legal history to understand the abolitionist focus on the body on its own terms. Motivated by their conviction that the physical form of the human body was universal and faced with the growing racism of eighteenth- and nineteenth-century science, abolitionists in North America and Britain focused on undoing slavery's harm to the bodies of the enslaved. Their pragmatic focus on restoring the bodily integrity and wellbeing of enslaved people threw up many unexpected challenges. This book explores those challenges.

Ronald Takaki's beloved revisionist history of America, praised by Howard Zinn as "a bold and refreshing new approach to our national history," now featuring a foreword from Clint Smith, author of the award-winning #1 bestseller How the Word Is Passed. Ronald Takaki's "brilliant revisionist history of America" (Publishers Weekly) is a landmark work of American history retells American history from the bottom up, through the lives of many minorities -- Native Americans, African Americans, Jewish Americans, Irish Americans, Asian Americans, Latino Americans, and others -- who helped create this country's mighty economy and rich mosaic culture.  A Different Mirror brilliantly illuminates our country's defining strengths as it reveals America as a nation peopled by the world. 

From acclaimed columnist and political commentator Michael Harriot, a searingly smart and bitingly hilarious retelling of American history that corrects the record and showcases the perspectives and experiences of Black Americans. America's backstory is a whitewashed mythology implanted in our collective memory. It is the story of the pilgrims on the Mayflower building a new nation. It is George Washington's cherry tree and Abraham Lincoln's log cabin. It is the fantastic tale of slaves that spontaneously teleported themselves here with nothing but strong backs and negro spirituals. It is a sugarcoated legend based on an almost true story. It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights--after all, history books were written by white men with their perspectives at the forefront. It could even be said that the devaluation and erasure of the Black experience is as American as apple pie. In Black AF History, Michael Harriot presents a more accurate version of American history. Combining unapologetically provocative storytelling with meticulous research based on primary sources as well as the work of pioneering Black historians, scholars, and journalists, Harriot removes the white sugarcoating from the American story, placing Black people squarely at the center. With incisive wit, Harriot speaks hilarious truth to oppressive power, subverting conventional historical narratives with little-known stories about the experiences of Black Americans. From the African Americans who arrived before 1619 to the unenslavable bandit who inspired America's first police force, this long overdue corrective provides a revealing look into our past that is as urgent as it is necessary. For too long, we have refused to acknowledge that American history is white history. Not this one. This history is Black AF. 

"Alchemies of Blood and Afro-Diasporic Fiction focuses on the resurgence of biological racism in 21st-century public discourse, the ontological and material turns in the academy that have occurred over the same time period, and the ways in which Afro-diasporic fiction has responded to both with alternative visions of bloodlines, kinship, and community"--

An uplifting collection of speeches by African American women, curated by the civil and human rights activist, scholar, and author When Mary Ann Shadd Cary--the first Black woman publisher in North America--declared, "break every yoke . . . let the oppressed go free" to congregants in Chatham, Canada, in 1858, she joined a tradition of African American women speaking for their own liberation. Drawing from a rich archive of political speeches, acclaimed activist and author Janet Dewart Bell, the author of Lighting the Fires of Freedom, which was nominated for an NAACP Image Award, explores this tradition in Blackbirds Singing. Gathering an array of recognized names as well as new discoveries, Bell curates two centuries of stirring public addresses by Black women, from Harriet Tubman and Ella Baker to Barbara Lee and Barbara Jordan. These magnificent speakers explore ethics, morality, courage, authenticity, and leadership, highlighting Black women speaking truth to power in service of freedom and justice. With an expansive historical lens, Blackbirds Singing celebrates the tradition of Black women's political speech and labor, allowing the voices and powerful visions of African American women to speak across generations building power for the world.

No one present at the Battle of Cape Lopez off the coast of West Africa in 1722 could have known that they were on the edge of history. This obscure yet fierce naval battle would have a monumental impact on British colonies and the future of slavery in America. Pirates of the Slave Trade follows three fascinating figures whose fates would violently converge: John Conny, a charismatic leader of the Akan people who made lucrative deals with pirates and smugglers while fending off British and Dutch slavers; the infamous pirate Black Bart, who worked his way from an anonymous navigator to one of the British Empire's most notorious enemies in the region; and naval captain Chaloner Ogle, tasked by the Crown with hunting down and killing Black Bart at all costs. At the Battle of Cape Lopez, these three men and the massive historical forces at their backs would finally find each other--and the world would be transformed forever. In this landmark narrative history, historian Angela Sutton outlines the complex network of trade routes spanning the Atlantic Ocean trafficked by agents of empire, private merchants, and brutal pirates alike. Drawing from a wide range of primary historical sources, Suttonoffers a new perspective on how a single battle played a pivotal role in reshaping the trade of enslaved people in ways that affect America to this day. Between its engaging narrative style filled with swashbuckling naval battles and tales of adventure at sea, its wide array of rigorous and detailed research, and its implications toward modern America, Pirates of the Slave Trade is an essential addition to every history reader's shelves.

By the time Abraham Lincoln asserted in 1858 that the nation could not "endure permanently half slave and half free," the rift that would split the country in civil war was well defined. The origins and evolution of the coming conflict between North and South can in fact be traced back to the early years of the American Republic, as Stephen G. Hyslop demonstrates in Building a House Divided, an exploration of how the incipient fissure between the Union's initial slave states and free states--or those where slaves were gradually being emancipated--lengthened and deepened as the nation advanced westward. Hyslop focuses on four prominent slaveholding expansionists who were intent on preserving the Union but nonetheless helped build what Lincoln called a house divided: Presidents Thomas Jefferson, Andrew Jackson, and James K. Polk and Senator Stephen A. Douglas of Illinois, who managed a plantation in Mississippi bequeathed by his father-in-law. Hyslop examines what these men did, collectively and individually, to further what Jefferson called an "empire of liberty," though it kept millions of Black people in bondage. Along with these major figures, in all their conflicts and contradictions, he considers other American expansionists who engaged in and helped extend slavery--among them William Clark, Stephen Austin, and President John Tyler--as well as examples of principled opposition to the extension of slavery by northerners such as John Quincy Adams and southerners like Henry Clay and Thomas Hart Benton, who held slaves but placed preserving the Union above extending slavery across the continent. The long view of the path to the Civil War, as charted through the Jeffersonian and Jacksonian eras in this book, reveals the critical fault in the nation's foundation, exacerbated by slaveholding expansionists like Jefferson, Jackson, Polk, and Douglas, until the house they built upon it could no longer stand for two opposite ideas at once.