Selected New Books in Ekstrom Library: January 2018

Talking Pillow celebrates love as amazement, sustenance, and the progenitor of scarce-believable loss. The book centers around the sudden death of the author's long-time partner and travels outward to events in the world at large. Imagining themselves into multiple times, places, and lives, the poems comically explore the possibilities of attachment between people and the absurdity of death's sudden intrusion. Antic and often funny, these poems converse with all that we care about, fear, and fail to understand.    

"With astringent understatement and wry economy, with nuance and intelligence and an enviable command of syntax and poetic line, Victoria Chang dissects the venerable practices of cultural piety and self-regard. She is a master of the thumbnail narrative. She can wield a dark eroticism. She is determined to tackle subject matter that is not readily subdued to the proportions of lyric. Her talent is conspicuous."--Linda Gregerson "Chang's voice is equal parts searing, vulnerable, and terrified."--American Poets InBarbie Chang, Victoria Chang explores racial prejudice, sexual privilege, and the disillusionment of love through a reimagining of Barbie--perfect in the cultural imagination yet repeatedly falling short as she pursues the American dream. This energetic string of linked poems is full of wordplay, humor, and biting social commentary involving the quote-unquote speaker, Barbie Chang, a disillusioned Asian-American suburbanite. By turns woeful and passionate, playful and incisive, these poems reveal a voice insisting that "even silence is not silent." From "Barbie Chang Lives": Barbie Chang lives on Facebook has a house on Facebook street so she can erase herself Facebook is a country with no trees it allows her to believe people love her don't want to cover her Barbie Chang . . . Victoria Chang is the author of three previous poetry books. In 2013, she won the PEN Center USA Literary Award and a California Book Award. Chang teaches poetry at Chapman University and lives in Southern California.

Winner of the 2016 Donald Hall Prize in Poetry Lauren Clark's poems move lucidly, depicting beautiful struggles of distrust, dream, grief, and intimacy. They show such conflicts through entrancing narrative drive and song-like abandon. In their unpredictable, unforgettable language, they make pain a tonic for pleasure, sorrow ground for revelation. This is a book that is celebratory, gentle, and queer.

Neruda's long-overlooked third book of poetry, critical in his poetic evolution, now translated into English for the very first time! venture of the infinite man was Neruda's third book, published in 1926, two years after his widely celebrated Twenty Love Poemsand a Song of Despair. In a stark stylistic departure from the love poems, Neruda composed an epic poem in 15 cantos, discarding rhyme, meter, punctuation and capitalization in what he described as an attempt to better capture the voice of the subconsious. His readers were not prepared for this experiment, and decades after its publication, Neruda lamented that "one of the most important books of my poetry" remained woefully neglected and virtually unknown. Neruda consideredventure essential to his evolution: "Within its smallness and minimal expression, more than most of my works, it claimed, it secured, the path that I had to follow." Its long-overdue translation into English is cause for celebration! "Experimental, obscure, timeless, essential,venture of the infinite man, published two years after his famous Twenty Love Poems and a Song of Despair, set Pablo Neruda on his course toward becoming the greatest poet in the history of the Spanish language. Its publication in English is a historic event, above all today, above all in this moment, above all, now."--Ra#65533;l Zurita, author ofAntepara#65533;so "In his early twenties and after the enormous success ofTwenty Love Poems and a Song of Despair, Neruda surprised everyone by changing aesthetic gears in this book that was at once innovative and emblematic. The effort was part of what would ultimately become his ceaseless embrace of change as the sine qua non of style. Jessica Powell does wonders rendering these cantos for the first time into English, filling in a gap his legion of admirers will be thankful for. This isn't only an unseen Neruda but an unforeseen one too."--Ilan Stavans, editor ofThe Poetry of Pablo Neruda "What an act of generosity this book is. Eisner's introduction contextualizes and informs precisely as needed, and Jessica Powell's translation achieves astonishing beauty and refreshing truth. She has listened deeply to Neruda's text."--Katherine Silver, translator "Jessica Powell is the 'distant light that illuminates the fruit' ofventure of the infinite man, the twenty-two year old Pablo Neruda's untranslated third book. One part quest and one part inner map, in Powell's hands the delicious and strange language of the original dances effortlessly in English. Readers can now experience the moment Neruda evolved from being only a brilliant singer of love poems into a maker of rich, stunning worlds. This book is a treasure."--Tom#65533;s Q. Mor#65533;n, author ofPatient Zero "This book has the fascination of being Neruda becoming Neruda. It's the brilliant young poet who made himself famous at nineteen and twenty withTwenty Love Poems, beginning to absorb the lessons of the new surrealism and making his way to the world poet he would become inResidence on Earth. So it is a leap into the imagination of one of the crucial poets of the twentieth century as he is feeling his way."--Robert Hass, former U.S. Poet Laureate

"Petrosino delights in unsettling the familiar with startling results, whether channeling Anne Sexton or William Blake. Her stylish innovation refashions traditional forms that insist on repetition." --Harryette Mullin "Petrosino is at the forefront of a deeply heterogeneous, expansive poetic movement, one that is transforming traditional lyric subjectivity into a more inclusive, complex space." --Boston Review The poems ofWitch Wife are spells, obsessive incantations to exorcise or celebrate memory, to mourn the beloved dead, to conjure children or keep them at bay, to faithfully inhabit one's given body. They are also concerned with dismantling received ideas about contemporary American womanhood. What does it mean to be a wife or mother who feels ambivalent about motherhood? How are these roles further complicated for women of color in the United States? In sestinas, villanelles, hallucinogenic prose poems, and freeverse, Kiki Petrosino summons history's ghosts--the ancestors that reside in her blood and craft--and sings them to life. Kiki Petrosino is the author of two previous poetry collections:Hymn for the Black Terrific (2013) andFort Red Border (2009), all from Sarabande Books. She holds graduate degrees from the University of Chicago and the University of Iowa Writer's Workshop. Her poems and essays have appeared inBest American Poetry, theNew York Times, FENCE, Gulf Coast, Tin House, and online atPloughshares. She is founder and co-editor of the poetry journalTransom, and Associate Professor of English at the University of Louisville, where she directs the Creative Writing Program.

Detective Michael Bennett and his family are about to be haunted... by a father's worst nightmare--the signs he should have seen and a son's desperate cry for help. Reeling from a crisis that would destroy lesser families, the Bennetts escape New York for a much-needed vacation. An idyllic country town in the Maine woods is haunted... by an epidemic emptying its streets and preying on its youth. Turns out the vacation brochures don't tell the full story-the seemingly perfect community has a deadly vice. When local cops uncover a grisly crime scene buried deep in the woods, they consult the vacationing Bennett, who jumps at the chance to atone for his own sins. You can take Michael Bennett out of New York City, but you can't take the cop out of Michael Bennett. But far from the city streets he knows so well, no one will talk to the big-city detective, and the bodies keep piling up. A young, hardscrabble, and forgotten girl is haunted... by a traumatic history. Homeless and destitute, she represents the closest thing Bennett has to a partner in his frantic hunt for the ghostlike perpetrator behind the violence. Will Bennett and his unlikely ally unmask the culprit before anyone else winds up haunted?

From theNew York Timesbestselling author ofJustice for Sara andThe First Wife Erica Spindler comesThe Other Girl, a chilling new thriller about a ritualistic murder of a college professor that sends a small town cop back into the trauma she thought she'd put behind her. "Explosive." --Publishers Weekly(starred review) "A fantastic thriller from one of the best in the genre!" --RT Reviews A horrific crime. One witness--a fifteen year old girl from the wrong side of the tracks, one known for lying and her own brushes with the law. Is it any surprise no one believed her? Officer Miranda Rader of the Harmony, Louisiana PD is known for her honesty, integrity, and steady hand in a crisis--but that wasn't always so. Miranda comes from the town of Jasper, a place about the size of a good spit on a hot day, and her side of the tracks was the wrong one. She's worked hard to earn the respect of her coworkers and the community. When Miranda and her partner are called to investigate the murder of one of the town's most beloved college professors, they're unprepared for the brutality of the scene. This murder is unlike any they've ever investigated, and just when Miranda thinks she's seen the worst of it, she finds a piece of evidence that chills her to the core: a faded newspaper clipping about that terrible night fifteen years ago. The night she'd buried, along with her past and the girl she'd been backthen. Until now that grave had stayed sealed...except for those times, in the deepest part of the night, when the nightmares came: of a crime no one believed happened and the screams of the girl they believed didn't exist. Then another man turns up dead, this one a retired cop. Not just any cop--the one who took her statement that night. Two murders, two very different men, two killings that on the surface had nothing in common--except Miranda.

"I dare you to read this novel and not fall in love with Arthur Truluv. His story will make you laugh and cry, and will show you a love that never ends, and what it means to be truly human."--Fannie Flagg An emotionally powerful novel about three people who each lose the one they love most, only to find second chances where they least expect them "Fans of Meg Wolitzer, Emma Straub, or [Elizabeth] Berg's previous novels will appreciate the richly complex characters and clear prose. Redemptive without being maudlin, this story of two misfits lucky to have found one another will tug at readers' heartstrings."--Booklist For the past six months, Arthur Moses's days have looked the same: He tends to his rose garden and to Gordon, his cat, then rides the bus to the cemetery to visit his beloved late wife for lunch. The last thing Arthur would imagine is for one unlikely encounter to utterly transform his life.  Eighteen-year-old Maddy Harris is an introspective girl who visits the cemetery to escape the other kids at school. One afternoon she joins Arthur--a gesture that begins a surprising friendship between two lonely souls. Moved by Arthur's kindness and devotion, Maddy gives him the nickname "Truluv." As Arthur's neighbor Lucille moves into their orbit, the unlikely trio band together and, through heartache and hardships, help one another rediscover their own potential to start anew. Wonderfully written and full of profound observations about life, The Story of Arthur Truluv is a beautiful and moving novel of compassion in the face of loss, of the small acts that turn friends into family, and of the possibilities to achieve happiness at any age. Praise for The Story of Arthur Truluv "For several days after [finishing The Story of Arthur Truluv], I felt lifted by it, and I found myself telling friends, also feeling overwhelmed by 2017, about the book. Read this, I said, it will offer some balance to all that has happened, and it is a welcome reminder we're all neighbors here."--Chicago Tribune "Not since Paul Zindel's classic The Pigman have we seen such a unique bond between people who might not look twice at each other in real life. This small, mighty novel offers proof that they should."--People, Book of the Week

New York Times bestselling author Bernard Cornwell makes a dramatic departure with this enthralling, action-packed standalone novel that tells the story of the first production of A Midsummer Night's Dream--as related by William Shakespeare's estranged younger brother. Lord, what fools these mortals be . . . In the heart of Elizabethan England, Richard Shakespeare dreams of a glittering career in one of the London playhouses, a world dominated by his older brother, William. But he is a penniless actor, making ends meet through a combination of a beautiful face, petty theft and a silver tongue. As William's star rises, Richard's onetime gratitude is souring and he is sorely tempted to abandon family loyalty. So when a priceless manuscript goes missing, suspicion falls upon Richard, forcing him onto a perilous path through a bawdy and frequently brutal London. Entangled in a high-stakes game of duplicity and betrayal which threatens not only his career and potential fortune, but also the lives of his fellow players, Richard has to call on all he has now learned from the brightest stages and the darkest alleyways of the city. To avoid the gallows, he must play the part of a lifetime . . . . Showcasing the superb storytelling skill that has won Bernard Cornwell international renown, Fools and Mortals is a richly portrayed tour de force that brings to life a vivid world of intricate stagecraft, fierce competition, and consuming ambition.

A New York Times Bestseller! Bestselling author, former White House speechwriter, and Atlantic columnist and media commentator David Frum explains why President Trump has undermined our most important institutions in ways even the most critical media has missed, in this thoughtful and hard-hitting book that is a warning for democracy and America's future. "From Russia to South Africa, from Turkey to the Philippines, from Venezuela to Hungary, authoritarian leaders have smashed restraints on their power. Media freedom and judicial independence have eroded. The right to vote remains, but the right to have one's vote counted fairly may not. Until the US presidential election of 2016, the global decline of democracy seemed a concern for other peoples in other lands. . . . That complacent optimism has been upended by the political rise of Donald Trump. The crisis is upon Americans, here and now." Quietly, steadily, Trump and his administration are damaging the tenets and accepted practices of American democracy, perhaps irrevocably. As he and his family enrich themselves, the presidency itself falls into the hands of the generals and financiers who surround him. While much of the country has been focused on Russia, David Frum has been collecting the lies, obfuscations, and flagrant disregard for the traditional limits placed on the office of the presidency. In Trumpocracy, he documents how Trump and his administration are steadily damaging the tenets and accepted practices of American democracy. During his own White House tenure as George W. Bush's speechwriter, Frum witnessed the ways the presidency is limited not by law but by tradition, propriety, and public outcry, all now weakened. Whether the Trump presidency lasts two, four, or eight more years, he has changed the nature of the office for the worse, and likely for decades. In this powerful and eye-opening book, Frum makes clear that the hard work of recovery starts at home. Trumpocracy outlines how Trump could push America toward illiberalism, what the consequences could be for our nation and our everyday lives, and what we can do to prevent it.

In his "remarkable" (Men's Journal) and "controversial" (Fortune) book -- written in a "wry, amusing style" (The Guardian) -- Bruce Cannon Gibney shows how America was hijacked by the Boomers, a generation whose reckless self-indulgence degraded the foundations of American prosperity. In A Generation of Sociopaths, Gibney examines the disastrous policies of the most powerful generation in modern history, showing how the Boomers ruthlessly enriched themselves at the expense of future generations. Acting without empathy, prudence, or respect for facts--acting, in other words, as sociopaths--the Boomers turned American dynamism into stagnation, inequality, and bipartisan fiasco. The Boomers have set a time bomb for the 2030s, when damage to Social Security, public finances, and the environment will become catastrophic and possibly irreversible--and when, not coincidentally, Boomers will be dying off. Gibney argues that younger generations have a fleeting window to hold the Boomers accountable and begin restoring America.

Shadows on the wall Noises down the hall Life doesn't frighten me at all   Maya Angelou's brave, defiant poem celebrates the courage within each of us, young and old. From the scary thought of panthers in the park to the unsettling scene of a new classroom, fearsome images are summoned and dispelled by the power of faith in ourselves. Angelou's strong words are matched by the daring vision of artist Jean-Michel Basquiat, whose childlike style reveals the powerful emotions and fanciful imaginings of childhood. Together, Angelou's words and Basquiat's paintings create a place where every child, indeed every person, may experience his or her own fearlessness. Celebrating its successful 25 years in print, this brilliant introduction to poetry and contemporary art features brief, updated biographies of Angelou and Basquiat, an afterword from the editor, and a fresh new look. A selected bibliography of Angelou's books and a selected museum listing of Basquiat's works open the door to further inspiration through the fine arts.  

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All aboard for the Bobo Road! Fatima and Galo load the luggage while their dad Big Ali drives the bus. Help count bikes, sacks of rice, melons and even goats and chickens as the bus travels past Gurunsi houses, the hippo lake, waterfalls and jungle, all the way to Bobo. With the authentic setting in Burkina Faso drawn from the author's own experience, this is a wonderfully fun introduction for small children to an amazing culture.

Winner: CCBC Choices 2017 When Dario and his mother move to Cape Cod from Brazil, Dario has a hard time making friends since he doesn't speak English well. But one day Dario meets someone else who has just arrived in New England and he doesn't speak any English at all...because he's a right whale! Day after day Dario and the whale meet at the beach. But what will happen when it's time for the whale to migrate?

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- Winner of the 2018 Scott O'Dell Award for Historical Fiction -  From the bestselling author of Newbery Honor-winner Wolf Hollow, Beyond the Bright Sea is an acclaimed best book of the year. An NPR Best Book of the Year * A Parents' Magazine Best Book of the Year * A Booklist Editors' Choice selection * A BookPage Best Book of the Year * A Horn Book Fanfare Selection * A Kirkus Best Book of the Year * A School Library Journal Best Book of the Year * A Charlotte Observer Best Book of the Year * A Southern Living Best Book of the Year * A New York Public Library Best Book of the Year "The sight of a campfire on a distant island...proves the catalyst for a series of discoveries and events--some poignant, some frightening--that Ms. Wolk unfolds with uncommon grace." -The Wall Street Journal ★ "Crow is a determined and dynamic heroine." --Publishers Weekly ★ "Beautiful, evocative." --Kirkus  The moving story of an orphan, determined to know her own history, who discovers the true meaning of family.  Twelve-year-old Crow has lived her entire life on a tiny, isolated piece of the starkly beautiful Elizabeth Islands in Massachusetts. Abandoned and set adrift in a small boat when she was just hours old, Crow's only companions are Osh, the man who rescued and raised her, and Miss Maggie, their fierce and affectionate neighbor across the sandbar. Crow has always been curious about the world around her, but it isn't until the night a mysterious fire appears across the water that the unspoken question of her own history forms in her heart. Soon, an unstoppable chain of events is triggered, leading Crow down a path of discovery and danger. Vivid and heart-wrenching, Lauren Wolk's Beyond the Bright Sea is a gorgeously crafted and tensely paced tale that explores questions of identity, belonging, and the true meaning of family.

"A must read for anyone in the business of leading others." Ken May, CEO of Top Golf; former CEO of Fedex "If you want your team to stay focused, you will want to read Can I Have Your Attention?" Chester Elton, New York Times Best-Selling author of All In, The Carrot Principle and What Motivates Me Inspire better work habits. Focus your team. Get stuff done in the constantly connected workplace. As our workloads expand, attention has never been more valuable. Or more difficult to keep. In Can I Have your Attention?, Curt Steinhorst shows business leaders how to cut through the noise and get their employees back to work. Curt has spent years helping Fortune 500 companies overcome distraction and achieve focus. With technology creating endless opportunites to "improve productivity", people spend so much time responding to the interruptions that they've lost the ability to focus and do their jobs. Yet, the potential for harnessing the power of your team's attention has never been greater--if you can capture it. You'll learn how to: Implement a comprehensive organizational strategy to increase focus and overcome digital distraction. Take back control of the technology in your organization and life. Establish a Communication Compact, defining how, when, and why your team will communicate with each other. Create a "vault" to increase productivity, decrease stress, and boost your creativity. Free yourself and your employees from the never-ending flood of emails and messages. Achieve unmatched focus in the age of distraction. The smartphone isn't going away. Learn the simple rules and guidelines that will improve focus and create the mental space needed for your people to work to their full potential.

At long last, Mary Beard addresses in one brave book the misogynists and trolls who mercilessly attack and demean women the world over, including, very often, Mary herself. In Women & Power, she traces the origins of this misogyny to its ancient roots, examining the pitfalls of gender and the ways that history has mistreated strong women since time immemorial. As far back as Homer's Odyssey, Beard shows, women have been prohibited from leadership roles in civic life, public speech being defined as inherently male. From Medusa to Philomela (whose tongue was cut out), from Hillary Clinton to Elizabeth Warren (who was told to sit down), Beard draws illuminating parallels between our cultural assumptions about women's relationship to power--and how powerful women provide a necessary example for all women who must resist being vacuumed into a male template. With personal reflections on her own online experiences with sexism, Beard asks: If women aren't perceived to be within the structure of power, isn't it power itself we need to redefine? And how many more centuries should we be expected to wait?

Doing Time, Writing Lives offers a much-needed analysis of the teaching of college writing in U.S. prisons, a racialized space that--despite housing more than 2 million people--remains nearly invisible to the general public. Through the examination of a college-in-prison program that promotes the belief that higher education in prison can reduce recidivism and improve life prospects for the incarcerated and their families, author Patrick W. Berry exposes not only incarcerated students' hopes and dreams for their futures but also their anxieties about whether education will help them.   Combining case studies and interviews with the author's own personal experience of teaching writing in prison, this book chronicles the attempts of incarcerated students to write themselves back into a society that has erased their lived histories. It challenges polarizing rhetoric often used to describe what literacy can and cannot deliver, suggesting more nuanced and ethical ways of understanding literacy and possibility in an age of mass incarceration.  

NEW YORK TIMES BESTSELLER * In these "urgently relevant essays,"* the National Book Award-winning author of Between the World and Me "reflects on race, Barack Obama's presidency and its jarring aftermath"*--including the election of Donald Trump. "We were eight years in power" was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America's "first white president." But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period--and the effects of the persistent, haunting shadow of our nation's old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective--the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president. We Were Eight Years in Power features Coates's iconic essays first published in The Atlantic, including "Fear of a Black President," "The Case for Reparations," and "The Black Family in the Age of Mass Incarceration," along with eight fresh essays that revisit each year of the Obama administration through Coates's own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.   *Kirkus Reviews (starred review)  Praise for We Were Eight Years in Power "Essential . . . Coates's probing essays about race, politics, and history became necessary ballast for this nation's gravity-defying moment." --The Boston Globe  "Coates's always sharp commentary is particularly insightful as each day brings a new upset to the cultural and political landscape laid during the term of the nation's first black president. . . . Coates is a crucial voice in the public discussion of race and equality, and readers will be eager for his take on where we stand now and why." --Booklist (starred review)

The signs are everywhere. China unilaterally claims the entire South China Sea as sovereign territory, then builds artificial islands to bolster its claim. It suddenly activates an air defense identification zone over the East China Sea, and threatens to down any aircraft that does not report its position. It builds roads into Indian territory, then redraws the maps to show that it is actually Chinese territory. The People's Republic under President Xi Jinping is quickly becoming The Bully of Asia.

Offering insight and equal consideration into the societies of the "civilized" and "uncivilized" world, Europe and the People Without History deftly explores the historical trajectory of so-called modern globalization. In this foundational text about the development of the global political economy, Eric R. Wolf challenges the long-held anthropological notion that non-European cultures and peoples were isolated and static entities before the advent of European colonialism and imperialism. Ironically referred to as "the People Without History" by Wolf, these societies before active colonization possessed perpetually changing, reactionary cultures and were indeed just as intertwined into the processes of the pre-Columbian global economic system as their European counterparts. Utilizing Marxian concepts and a vivid consideration for the importance of history, Wolf judiciously traces the effects and conditions in Europe and the rest of the "known" world, beginning in 1400 AD, that allowed capitalism to emerge as the dominant ideology of the modern era.

From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is itso perennially popular? Why Horror Seduces addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horrorentertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context. Through analyses of well-known and popular modern American works of horror - Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others -author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within asafe context. Organized into three parts identifying fictional works by evolutionary mode - the evolution of horror; evolutionary interpretations of horror; the future of horror - Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream.

An event to be celebrated, a "rare Dostoesvsky translation" (William Mills Todd III, Harvard University) that fully captures the literary achievements of the original. So essential is Crime and Punishment (1866) to global literature and even to our understanding of roiling Russia today that Edward Snowden, while confined to the Moscow airport, was given only three books to help him absorb the culture, one being Fyodor Dostoevsky's classic in which Raskolnikov, an impoverished student, sees himself as extraordinary and therefore free to commit crimes--even murder--in a work that best embodies the existential dilemmas of man's instinctual will to power. Yet English translators have long struggled with excessive literalism, and no translation exists that is truly felicitous to the literary nuances of the original prose. Now, acclaimed translator Michael R. Katz addresses these challenges with new insights into the linguistic richness, the subtle tones, and the cunning humor. With its searing and unique portrayal of the labyrinthine universe of nineteenth-century St. Petersburg, this sparkling rendering of Dostoevsky's masterpiece will be read for decades to come.

This book will trace the journey of Shelley's Frankenstein from limited edition literature to the bloodstream of contemporary culture. It includes new research on the novel's origins, with a reprint of the earliest-known version of the creation scene; visual material on adaptations for the stage, in magazines, on playbills, in prints and in book publications of the nineteenth century; series of visual essays on many of the film versions and their inspirations in the history of art; and Frankenstein in popular culture on posters, advertisements, packaging, in comics and graphic novels.

Lies and inaccurate information are as old as humanity, but never before have they been so easy to spread. Each moment of every day, the Internet and broadcast media purvey misinformation, either deliberately or accidentally, to a mass audience on subjects ranging from politics to consumer goods to science and medicine, among many others. Because misinformation now has the potential to affect behavior on a massive scale, it is urgently important to understand how it works and what can be done to mitigate its harmful effects. Misinformation and Mass Audiences brings together evidence and ideas from communication research, public health, psychology, political science, environmental studies, and information science to investigate what constitutes misinformation, how it spreads, and how best to counter it. The expert contributors cover such topics as whether and to what extent audiences consciously notice misinformation, the possibilities for audience deception, the ethics of satire in journalism and public affairs programming, the diffusion of rumors, the role of Internet search behavior, and the evolving efforts to counteract misinformation, such as fact-checking programs. The first comprehensive social science volume exploring the prevalence and consequences of, and remedies for, misinformation as a mass communication phenomenon, Misinformation and Mass Audiences will be a crucial resource for students and faculty researching misinformation, policymakers grappling with questions of regulation and prevention, and anyone concerned about this troubling, yet perhaps unavoidable, dimension of current media systems.

Literary Nonfiction. Poetry. Lawrence Raab has been revered as a quietly magnificent poet. As friends and students have long known, for decades he's also been a virtuosic teacher. In this first collection of his contemplative essays, Raab ponders works that keep mattering to him as a working writer, with fresh considerations of Edwin Arlington Robinson and Thomas Hardy, Wislawa Szymborska, Ben Jonson, Henry James, Gertrude Stein, Lewis Carroll, the artist Ren#65533; Magritte, and Robert Frost. Reading with his touchtone of "truthfulness," a literary maestro meditates on authenticity, ambiguity, and endings, and with In a Different Hour: Collaboration, Revision, and Friendship, he offers a fascinating chronicle of prolonged, generative exchange with poet Stephen Dunn. "It's no surprise that one of the best poets of my generation, and one of the wisest, has now presented us with a true gift, his collected essays. In subjects of consideration, they range from Jabberwocky to Frost to Stein to Magritte, but Larry Raab is quick to remind us to beware 'mistaking the subject for the poem itself,' and of course that applies to the essays here, which have, beyond immediate subjects, a singular plainspoken (but richly allusive) contemplative voice and an unerring mission to dig deep into the human condition (a venture that itself implies how a true reading of poems will necessarily expand their reach beyond the limits of a one-subject-per-poem understanding). Despite my first words above, I wish this book's appearance had been a surprise, so I could now declare it a thoroughly delightful one."—Albert Goldbarth

With stories from the front lines, a legal scholar journeys through distinct legal climates to understand precisely why and how the war over abortion is being fought. Drawing on her years of research in El Salvador--one of the few countries to ban abortion without exception--legal scholar Michelle Oberman explores what happens when abortion is a crime. Oberman reveals the practical challenges raised by a thriving black market in abortion drugs, as well as the legal challenges to law enforcement. She describes a system in which doctors and lawyers collaborate in order to identify and prosecute those suspected of abortion-related crimes, and the troubling results of such collaboration: mistaken diagnoses, selective enforcement, and wrongful convictions. Equipped with this understanding, Oberman turns her attention to the United States, where the battle over abortion is fought almost exclusively in legislatures and courtrooms. Beginning in Oklahoma, one of the most pro-life states, and through interviews with current and former legislators and activists, she shows how Americans voice their moral opposition to abortion by supporting laws that would restrict it. In this America, the law is more a symbol than a plan. Oberman challenges this vision of the law by considering the practical impact of legislation and policies governing both motherhood and abortion. Using stories gathered from crisis pregnancy centers and abortion clinics, she unmasks the ways in which the law already shapes women's responses to unplanned pregnancy, generating incentives or penalties, nudging pregnant women in one direction or another. In an era in which every election cycle features a pitched battle over abortion's legality, Oberman uses her research to expose the limited ways in which making abortion a crime matters. Her insight into the practical consequences that will ensue if states are permitted to criminalize abortion calls attention to the na#65533;ve and misguided nature of contemporary struggles over abortion's legality. A fresh look at the battle over abortion law, Her Body, Our Laws is an invitation to those on all sides of the issue to move beyond the incomplete discourse about legality by understanding how the law actually matters.