Selected New Books in Ekstrom Library: July 2017

Following the wonderful reception of her first novel, Bird, we are proud to offer a gathering of 44 stories, 14 from her previous collections and 30 never before published in book form.

In Smart People, Lydia R. Diamond shows that no matter how well we think we understand the influence of race on human interaction, it still manages to get in the way of genuine communication and connection. This funny and thought-provoking play gives us four characters all associated with Harvard: a young African American actress cleaning houses and doing odd jobs to pay the bills until her recently earned M.F.A. starts to pay off; a Chinese and Japanese American psychology professor studying race and identity in Asian American women; an African American surgical intern; and a white professor of neuroscience with a shocking hypothesis, researching the way that our racial perceptions are formed. As their relationships evolve, the four discover that their motivations and interpretations are not as pure as their wealth of knowledge would have them believe. As in all of her work, Diamond brings a sharp wit and a subtle intelligence to bear on questions that never cease to trouble us as individuals and as a society.

When her "smart" phone keeps asking her to autocorrect her name to Denise Richards, Denise Duhamel begins a journey that takes on celebrity, sex, reproduction, and religion with her characteristic wit and insight. The poems in Scald engage feminism in two ways--committing to and battling with--various principles and beliefs.  Duhamel wrestles with foremothers and visionaries Shulamith Firestone, Andrea Dworkin, and Mary Daly as well as with pop culture figures such as Helen Reddy, Cyndi Lauper, and Bikini Kill.  In dialogue with artists and writers such as Catherine Opie, Susan Faludi, and Eve Ensler, Duhamel tries to understand our cultural moment.  While Duhamel's Scald can burn, she has more importantly taken on the role of the ancient Scandinavian "Skald," one who pays tribute to heroic deeds.  In Duhamel's case, her heroes are also heroines.  

Ordinary people seek connections to the natural world and each other in the poems ofThe Heronry, a collection that presents a series of spiritual encounters in the form of praise poems, lyric portraiture, and meditations on faith and belief. Mark Jarmanis the author of ten poetry collections. He lives in Nashville, Tennessee.

"A wildly original novel that pulses with heart and truth . . . That this powerful exploration of friendship, desire, ambition, and secrets manages to be ebullient, gripping, heartbreaking, and deeply deeply funny is a testament to Kayla Rae Whitaker's formidable gifts. I was so sorry to reach the final page. Sharon and Mel will stay with me for a very long time."--Cynthia D'Aprix Sweeney, author of The Nest Named one of BookRiot and Entertainment Weekly's Best Books of the Year So Far She was the first person to see me as I had always wanted to be seen. It was enough to indebt me to her forever. In the male-dominated field of animation, Mel Vaught and Sharon Kisses are a dynamic duo, the friction of their differences driving them: Sharon, quietly ambitious but self-doubting; Mel, brash and unapologetic, always the life of the party. Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing. Drawing: Mel, to understand her tumultuous past, and Sharon, to lose herself altogether. Now, after a decade of striving, the two are finally celebrating the release of their first full-length feature, which transforms Mel's difficult childhood into a provocative and visually daring work of art. The toast of the indie film scene, they stand at the cusp of making it big. But with their success come doubt and destruction, cracks in their relationship threatening the delicate balance of their partnership. Sharon begins to feel expendable, suspecting that the ever-more raucous Mel is the real artist. During a trip to Sharon's home state of Kentucky, the only other partner she has ever truly known--her troubled, charismatic childhood best friend, Teddy--reenters her life, and long-buried resentments rise to the surface, hastening a reckoning no one sees coming. A funny, heartbreaking novel of friendship, art, and trauma, The Animators is about the secrets we keep and the burdens we shed on the road to adulthood. Praise for The Animators "Unusual and appealing . . . The Animators covers familiar debut-novel territory: the search for identity, the desire for success, the bewildering experiences of small-town misfits leaving home for the bright lights of New York City. But Whitaker turns these motifs on their heads simply by changing the direction of the road and populating it with women."--The New York Times Book Review "A mix of Beaches, Girls, and Thelma & Louise . . . a 'complicated,' 'sensual, sexy,' raw nerve of a 'roller coaster' through a 'tumultuous' friendship . . . If you let this story happen to you, you're gonna love it."--Glamour "The Animators is inspiring in its freshness and its authenticity, one of the most original and raw books I've read in a long time. I look forward to more Whitaker novels to add to my library."--The Dallas Morning News "Suffused with humor, tragedy and deep insights about art and friendship."--People "[A] stunning debut."--Variety "A compulsively readable portrait of women as incandescent artists and intimate collaborators."--Elle

The story opens in the stinking latrines of the Schubin camp as an American and a Canadian lead the digging of a tunnel which enabled a break involving 36 prisoners of war (POWs). The Germans then converted the camp to Oflag 64, to exclusively hold US Army officers, with more than 1500 Americans ultimately housed there. Plucky Americans attempted a variety of escapes until January, 1945, only to be thwarted every time. Then, with the Red Army advancing closer every day, camp commandant Colonel Fritz Schneider received orders from Berlin to march his prisoners west. Game on! Over the next few days, 250 US Army officers would succeed in escaping east to link up with the Russians - although they would prove almost as dangerous as the Nazis - only to be ordered once they arrived back in the United States not to talk about their adventures. Within months, General Patton would launch a bloody bid to rescue the remaining Schubin Americans. In The Big Break, this previously untold story follows POWs including General Eisenhower's personal aide, General Patton's son-in-law, and Ernest Hemingway's eldest son as they struggled to be free. Military historian and Paul Brickhill biographer Stephen Dando-Collins expertly chronicles this gripping story of Americans determined to be free, brave Poles risking their lives to help them, and dogmatic Nazis determined to stop them.

From a Pulitzer Prize-winning author, a brilliantly rendered life of one of our most admired American poets Since her death in 1979, Elizabeth Bishop, who published only one hundred poems in her lifetime, has become one of America's best-loved poets. And yet--painfully shy and living out of public view in Key West and Brazil, among other hideaways--she has never been seen so fully as a woman and an artist. Megan Marshall makes incisive and moving use of a newly discovered cache of Bishop's letters--to her psychiatrist and to three of her lovers--to reveal a much darker childhood than has been known, a secret affair, and the last chapter of her passionate romance with the Brazilian modernist designer Lota de Macedo Soares. These elements of Bishop's life, along with her friendships with poets Marianne Moore and Robert Lowell, are brought to life with novelistic intensity. And by alternating the narrative line of biography with brief passages of memoir, Marshall, who studied with Bishop in her storied 1970s poetry workshop at Harvard, offers the reader a compelling glimpse of the ways poetry and biography, subject and biographer, are entwined. Finally, in this riveting portrait of a life lived for--and saved by--art, Marshall captures the enduring magic of Bishop's creative achievement.  

An electrifying first collection from one of the most exciting short story writers of our time Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters  are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion.  Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

The award-winning author presents a provocative, thoroughly modern revisionist biographical history of one of America's greatest and most influential families--the Roosevelts--exposing heretofore unknown family secrets and detailing complex family rivalries with his signature cinematic flair. Drawing on previously hidden historical documents and interviews with the long-silent "illegitimate" branch of the family, William J. Mann paints an elegant, meticulously researched, and groundbreaking group portrait of this legendary family. Mann argues that the Roosevelts' rise to power and prestige was actually driven by a series of intense personal contest that at times devolved into blood sport. His compelling and eye-opening masterwork is the story of a family at war with itself, of social Darwinism at its most ruthless--in which the strong devoured the weak and repudiated the inconvenient. Mann focuses on Eleanor Roosevelt, who, he argues, experienced this brutality firsthand, witnessing her Uncle Theodore cruelly destroy her father, Elliott--his brother and bitter rival--for political expediency. Mann presents a fascinating alternate picture of Eleanor, contending that this "worshipful niece" in fact bore a grudge against TR for the rest of her life, and dares to tell the truth about her intimate relationships without obfuscations, explanations, or labels. Mann also brings into focus Eleanor's cousins, TR's children, whose stories propelled the family rivalry but have never before been fully chronicled, as well as her illegitimate half-brother, Elliott Roosevelt Mann, who inherited his family's ambition and skill without their name and privilege. Growing up in poverty just miles from his wealthy relatives, Elliott Mann embodied the American Dream, rising to middle-class prosperity and enjoying one of the very few happy, long-term marriages in the Roosevelt saga. For the first time, The Wars of the Roosevelts also includes the stories of Elliott's daughter and grandchildren, and never-before-seen photographs from their archives. Deeply psychological and finely rendered, illustrated with sixteen pages of black-and-white photographs, The Wars of the Roosevelts illuminates not only the enviable strengths but also the profound shame of this remarkable and influential family.