Hispanic Heritage Month : New & Noteworthy

Since the re-democratization of much of Latin America in the 1980s and a regional wave of anti-austerity protests in the 1990s, social movement studies has become an important part of sociological, political, and anthropological scholarship on the region. The subdiscipline has framed debatesabout formal and informal politics, spatial and relational processes, as well as economic changes in Latin America. While there is an abundant literature on particular movements in different countries across the region, there is limited coverage of the approaches, debates, and theoreticalunderstandings of social movement studies applied to Latin America.In The Oxford Handbook of Latin American Social Movements, Federico M. Rossi presents a survey of the broad range of theoretical perspectives on social movements in Latin America. Bringing together a wide variety of viewpoints, the Handbook includes five sections: theoretical approaches to socialmovements, as applied to Latin America; processes and dynamics of social movements; major social movements in the region; ideational and strategic dimensions of social movements; and the relationship between political institutions and social movements. Covering key social movements and socialdynamics in Latin America from the late nineteenth century to the twenty-first century, The Oxford Handbook of Latin American Social Movements is an indispensable reference for any scholar interested in social movements, protest, contentious politics, and Latin American studies.

A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity. "Latino" is the most open-ended and loosely defined of the major race categories in the United States. Our Migrant Souls: A Meditation on Race and the Meanings and Myths of "Latino" assembles the Pulitzer Prize winner Héctor Tobar's personal experiences as the son of Guatemalan immigrants and the stories told to him by his Latinx students to offer a spirited rebuke to racist ideas about Latino people. Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and seeks to give voice to the angst and anger of young Latino people who have seen latinidad transformed into hateful tropes about "illegals" and have faced insults, harassment, and division based on white insecurities and economic exploitation. Investigating topics that include the US-Mexico border "wall," Frida Kahlo, urban segregation, gangs, queer Latino utopias, and the emergence of the cartel genre in TV and film, Tobar journeys across the country to expose something truer about the meaning of "Latino" in the twenty-first century.

Who are the Black heroines of Latin America and the Caribbean? Where do we turn for models of transcendence among women of African ancestry in the region? In answer to the historical dearth of such exemplars, Mayaya Rising explores and celebrates the work of writers who intentionally center powerful female cultural archetypes. In this inventive analysis, Duke proposes three case studies and a corresponding womanist methodology through which to study and rediscover these figures. The musical Cuban-Dominican sisters and former slaves Teodora and Micaela Ginés inspired Aida Cartagena Portalatin's epic poem Yania tierra; the Nicaraguan matriarch of the May Pole, "Miss Lizzie," figures prominently in four anthologies from the country's Bluefields region; and the iconic palenqueras of Cartagena, Colombia are magnified in the work of poets María Teresa Ramírez Neiva and Mirian Díaz Pérez. In elevating these figures and foregrounding these works, Duke restores and repairs the scholarly record.

A meditation on in vitro fertilization that expands and complicates the stories we tell about pregnancy.  Medical interventions become an exercise in patience, desire, and delirium in this intimate account of bodily transformation and disruption. In candid, graceful prose, Isabel Zapata gives voice to the strangeness and complexities of conception and motherhood that are rarely discussed publicly. Zapata frankly addresses the misogyny she experienced during fertility treatments, explores the force of grief in imagining possible futures, and confronts the societal expectations around maternity. In the tradition of Rivka Galchen's Little Labors and Sarah Manguso's Ongoingness, In Vitro draws from diary and essay forms to create a new kind of literary companion and open up space for nuanced conversations about pregnancy.

Praise for the 1st edition: "Provides a solid foundation for anyone interested in exploring the complexities of the growing Latino political power in the United States."--Jacqueline M. Hayes, Latino(a) Research Review "A valuable inclusion for any introductory course charting the political history of the Latino population of the United States."--Alex Goodall, Journal of American Studies "A great start for anyone interested in learning more about the development of Latina/o politics. Highly recommended." --Choice This new, fully revised edition of Latino Political Power reflects a diverse community evolving in its ethnic, racial, and sexual identities, as well as in its voting behavior and party affiliations. Sharon A. Navarro and Kim Geron map the transformation of Latino political power from the 1960s to the present. Comprehensive and accessible, their analysis of the complex processes of political incorporation, representation, and inclusion at all levels of government is based on the most current data available. With an entirely new chapter on Latinas as candidates and as elected officials in 2021-2022, discussion of the latest voting-rights cases, and rich case studies throughout, this up-to-date text will provide readers with a solid understanding--and appreciation--of Latino political power today. CONTENTS:  Latino Politics: The Evolution of Inclusion. New Voices, New Contours of Political Power. The Struggle for Inclusion. Politics in the Twenty-First Century. Participation and the Contours of Power. Political Power in the Sunbelt. Latinas: Political Activists and Leaders. Latino Political Power Today ... and Tomorrow.

A rich literary study of AfroLatinx life writing, this book traces how AfroLatinxs have challenged their erasure in the United States and Latin America over the last century. Invisibility and Influence demonstrates how a century of AfroLatinx writers in the United States shaped life writing, including memoir, collective autobiography, and other formats, through depictions of a wide range of "Afro-Latinidades." Using a woman-of-color feminist approach, Regina Marie Mills examines the work of writers and creators often excluded from Latinx literary criticism. She explores the tensions writers experienced in being viewed by others as only either Latinx or Black, rather than as part of their own distinctive communities. Beginning with Arturo (Arthur) Schomburg, who contributed to wider conversations about autobiographical technique, Invisibility and Influence examines a breadth of writers, including Jesús Colón; members of the Young Lords; Piri Thomas; Lukumi santera and scholar Marta Moreno Vega; and Black Mexican American poet Ariana Brown. Mills traces how these writers confront the distorted visions of AfroLatinxs in the United States, Latin America, and the Caribbean, and how they created and expressed AfroLatinx spirituality, politics, and self-identity, often amidst violence. Mapping how AfroLatinx writers create their own literary history, Mills reveals how AfroLatinx life writing shapes and complicates discourses on race and colorism in the Western Hemisphere.

Geographies of Relation offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance.   Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. 

While there is a long history of state violence toward immigrants in the United States, the essayists in this interdisciplinary collection tackle head-on the impacts of the Trump administration. This volume provides a well-argued look at the Trump era. Insightful contributions delve into the impact of Donald Trump's rhetoric and policies on migrants detained and returned, immigrant children separated from their parents and placed in detention centers, and migrant women subjected to sexual and reproductive abuses, among other timely topics. The chapter authors document a long list in what the book calls "Trump's Reign of Terror." Organized thematically, the book has four sections: The first gathers histories about the Trump years' roots in a longer history of anti-migration; the second includes essays on artistic and activist responses on the border during the Trump years; the third critiques the normalization of Trump's rhetoric and actions in popular media and culture; and the fourth envisions the future. Resistance and Abolition in the Borderlands is an essential reader for those wishing to understand the extent of the damage caused by the Trump era and its impact on Latinx people. Contributors Arturo J. Aldama Rebecca Avalos Cynthia Bejarano Tria Blu Wakpa Renata Carvalho Barreto Karma R. Chávez Leo R. Chavez Jennifer Cullison Jasmin Lilian Diab Allison Glover Jamila Hammami Alexandria Herrera Diana J. Lopez Sergio A. Macías Cinthya Martinez Alexis N. Meza Roberto A. Mónico José Enrique Navarro Jessica Ordaz Eliseo Ortiz Kiara Padilla Leslie Quintanilla J-M Rivera Heidy Sarabia Tina Shull Nishant Upadhyay Maria Vargas Antonio Vásquez

By sharing the collective experiences of Latinas in Higher Education, this book provides a diverse range of empowering testimonios from Chingonas living on their own terms, who are defining professionalism for themselves. Chingona means "badass" and is a term that has been reappropriated by Latinas as an expression of empowerment both inside and outside of education. This anthology is a collection of twelve voices, representative of the experiences of empowered Chingonas across various roles in higher education who identify as Latinas. This volume shares the knowledge of Chingona Latina women, including their thoughts around authenticity, identity, and the disruption of dominant cultural experiences within the institution. It also seeks to help other Latinas realize that they are not alone in their experiences with higher education. This book includes questions for reflection and writing prompts, allowing readers to consider their own lived experiences and envision change. This collection will be important reading for undergraduate and postgraduate students in education-related programs, including Higher Education Studies and Educational Leadership, as well as courses in Ethnic Studies, Chicana/o/x Studies, Latinx/a/o Studies and Women's Studies. It also offers an invaluable learning opportunity for higher education professionals, leaders, and administrators, especially within student affairs.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. What becomes of men the U.S. locks up and kicks out? From 2009 to 2020, the U.S. deported more than five million people--over 90 percent of them men. In Banished Men, Abigail Andrews and her students tell 186 of their stories. How, they ask, does expulsion shape men's lives and sense of themselves? The book uncovers a harrowing carceral system that weaves together policing, prison, detention, removal, and border militarization to undermine migrants as men. Guards and gangs beat them down, till they feel like cockroaches, pigs, or dogs. Many lose ties with family. They do not go "home." Instead, they end up in limbo: stripped of their very humanity. Against the odds, they fight for new ways to belong. At once devastating and humane, Banished Men offers a clear-eyed critique of the violence of deportation.

This volume is the first to provide a comprehensive Latin American perspective on the role of humor in the Spanish- and Portuguese-language internet, highlighting how the production and circulation of online humor influence the region's relation to democracy and civil society and the production of meaning in everyday life. Several case studies consider memes, including discussions of political cartoons in Mexico and imagery that portrays the mismanagement of natural disasters in Puerto Rico. Essays on Brazil examine how memes are shared on WhatsApp by Jair Bolsonaro supporters and how the Instagram account Barbie Fascionista offers memes as political commentary. Other case studies consider video content, including the sketches of Argentinian comedian Guillermo Aquino, the short-form material of Chilean vlogger Germán Garmendia, and a satirical YouTube column created by journalists in Colombia. Contributors also offer new methodologies for studying the laughable on social media, including a model for analyzing fake Twitter accounts. Internet, Humor, and Nation in Latin America demonstrates that internet humor can generate novel means of public interaction with the political and cultural spheres and create greater expectations of governmental accountability and democratic participation. This volume shows the importance of paying serious attention to humorous digital content as part of contemporary culture. Contributors: Eva Paulina Bueno | Juan Poblete | Alberto Centeno-Pulido | Damián Fraticelli | Juan Carlos Rodríguez | Viktor Chagas | Paul Alonso | Ulisses Sawczuk da Silva | Héctor Fernández L'Hoeste | Alejandra Nallely Collado Campos | R. Sánchez-Rivera | Mélodine Sommier | Fábio Marques de Souza

How water enables Caribbean and Latinx writers to reconnect to their pasts, presents, and futures. Water is often tasked with upholding division through the imposition of geopolitical borders. We see this in the construction of the Rio Grande/Río Bravo on the US-Mexico border, as well as in how the Caribbean Sea and the Pacific Ocean are used to delineate the limits of US territory. In stark contrast to this divisive view, Afro-diasporic religions conceive of water as a place of connection; it is where spiritual entities and ancestors reside, and where knowledge awaits. Departing from the premise that water encourages confluence through the sustainment of contradiction, Channeling Knowledges fathoms water's depth and breadth in the work of Latinx and Caribbean creators such as Mayra Santos-Febres, Rita Indiana, Gloria Evangelina Anzaldúa, and the Border of Lights collective. Combining methodologies from literary studies, anthropology, history, and religious studies, Rebeca L. Hey-Colón's interdisciplinary study traces how Latinx and Caribbean cultural production draws on systems of Afro-diasporic worship--Haitian Vodou, La 21 División (Dominican Vodou), and Santería/Regla de Ocha--to channel the power of water, both salty and sweet, in sustaining connections between past, present, and not-yet-imagined futures.

Quiara Alegría Hudes' stage adaptation of her much-lauded memoir is a joyous celebration of Puerto Rican womanhood in 1990s West Philadelphia. In this memoir-turned-play, Hudes showcases a handful of key life moments that mark subtle changes in her sense of self and her place in the world. Interlaid between these vignettes are moments of song, dance, and ritual that evoke her boisterous girlhood in a house run by the Perez women. Through this piece, we come to understand the collaborative art that was Hudes's coming of age, and the communal nature of autobiography.

"A perfect representation of Latino diversity" (The Washington Post), LatinoLand draws from hundreds of interviews and prodigious research to give us both a vibrant portrait and the little-known history of our largest and fastest-growing minority, in "a work of prophecy, sympathy, and courage" (Junot Díaz, Pulitzer Prize-winning author). LatinoLand is an exceptional, all-encompassing overview of Hispanic America based on personal interviews, deep research, and Marie Arana's life experience as a Latina. At present, Latinos comprise twenty percent of the US population, a number that is growing. By 2050, census reports project that one in every three Americans will claim Latino heritage. But Latinos are not a monolith. They do not represent a single group. The largest groups are Mexicans, Puerto Ricans, Dominicans, Salvadorans, and Cubans. Each has a different cultural and political background. Puerto Ricans, for example, are US citizens, whereas some Mexican Americans never immigrated because the US-Mexico border shifted after the US invasion of 1848, incorporating what is now the entire southwest of the United States. Cubans came in two great waves: those escaping communism in the early years of Castro, many of whom were professionals and wealthy, and those permitted to leave in the Mariel boat lift twenty years later, representing some of the poorest Cubans, including prisoners. As LatinoLand shows, Latinos were some of the earliest immigrants to what is now the US--some of them arriving in the 1500s. They are racially diverse--a random infusion of white, Black, indigenous, and Asian. Once overwhelmingly Catholic, they are becoming increasingly Protestant and Evangelical. They range from domestic workers and day laborers to successful artists, corporate CEOs, and US senators. Formerly solidly Democratic, they now vote Republican in growing numbers. They are as culturally varied as any immigrants from Europe or Asia. Marie Arana draws on her own experience as the daughter of an American mother and Peruvian father who came to the US at age nine, straddling two worlds, as many Latinos do. "Thorough, accessible, and necessary" (Ms. magazine), LatinoLand unabashedly celebrates Latino resilience and character and shows us why we must understand the fastest-growing minority in America.

Winner of the 2001 Carey McWilliams Award Is the capital of Latin America a small island at the mouth of the Hudson River? Will California soon hold the balance of power in Mexican national politics? Will Latinos reinvigorate the US labor movement? These are some of the provocative questions that Mike Davis explores in this fascinating account of the Latinization of the US urban landscape. As he forefully shows, this is a demographic and cultural revolution with extraordinary implications. With Spanish surnames increasing five times faster than the general population, salsa is becoming the predominant ethnic rhythm (and flavor) of contemporary city life. In Los Angeles, Houston, San Antonio, and (shortly) Dallas, Latinos outnumber non-Hispanic whites; in New York, San Diego and Phoenix they outnumber Blacks. According to the Bureau of the Census, Latinos will supply fully two-thirds of the nation’s population growth between now and the middle of the 21st century when nearly 100 millions Americans will boast Latin American ancestry. Davis focuses on the great drama of how Latinos are attempting to translate their urban demographic ascendancy into effective social power. Pundits are now unanimous that Spanish-surname voters are the sleeping giant of US politics. Yet electoral mobilization alone is unlikely to redress the increasing income and opportunity gaps between urban Latinos and suburban non-Hispanic whites. Thus in Los Angeles and elsewhere, the militant struggles of Latino workers and students are reinventing the American left. Fully updated throughout, and with new chapters on the urban Southwest and the explodiing counter-migration of Anglos to Mexico, Magical Urbanism is essential reading for anyone who wants to grasp the future of urban America This paperback edition of Mike Davis’s investigation into the Latinization of America incorporates the extraordinary findings of the 2000 Census as well as new chapters on the militarization of the border and violence against immigrants.

What does it mean to be Latinx? This pressing question forms the core of Latinx Belonging, which brings together cutting-edge research to discuss the multilayered ways this might be answered. Latinx Belonging is anchored in the claim that Latinx people are not defined by their marginalization but should instead be understood as active participants in their communities and contributors to U.S. society. The volume's overarching analytical approach recognizes the differences, identities, and divisions among people of Latin American origin in the United States, while also attending to the power of mainstream institutions to shape their lives and identities. Contributors to this volume view "belonging" as actively produced through struggle, survival, agency, resilience, and engagement. This work positions Latinxs' struggles for recognition and inclusion as squarely located within intersecting power structures of gender, race, sexuality, and class and as shaped by state-level and transnational forces such as U.S. immigration policies and histories of colonialism. From the case of Latinxs' struggles for recognition in the arts, to queer Latinx community resilience during COVID-19 and in the wake of mass shootings, to Indigenous youth's endurance and survival as unaccompanied minors in Los Angeles, the case studies featured in this collection present a rich and textured picture of the diversity of the U.S. Latinx experience in the twenty-first century. Contributors Andrés Acosta Jack "Trey" Allen Jennifer Bickham Mendez Stephanie L. Canizales Christopher Cuevas Natalia Deeb-Sossa Yvette G. Flores Melanie Jones Gast Monika Gosin Pierrette Hondagneu-Sotelo Nolan Kline Verónica Montes Yvonne Montoya Michael De Anda Muñiz Suzanne Oboler Gilda L. Ochoa Dina G. Okamoto Marco Antonio Quiroga Michelle Téllez

An in-depth look at how U.S. Latino advocacy groups are using ethnoracial demographic projections to bring about political change in the present For years, newspaper headlines, partisan speeches, academic research, and even comedy routines have communicated that the United States is undergoing a profound demographic transformation--one that will purportedly change the "face" of the country in a matter of decades. But the so-called browning of America, sociologist Michael Rodríguez-Muñiz contends, has less to do with the complexion of growing populations than with past and present struggles shaping how demographic trends are popularly imagined and experienced. Offering an original and timely window into these struggles, Figures of the Future explores the population politics of national Latino civil rights groups. Based on eight years of ethnographic and qualitative research, spanning both the Obama and Trump administrations, this book investigates how several of the most prominent of these organizations--including UnidosUS (formerly NCLR), the League of United Latin American Citizens, and Voto Latino--have mobilized demographic data about the Latino population in dogged pursuit of political recognition and influence. In census promotions, get-out-the-vote campaigns, and policy advocacy, this knowledge has been infused with meaning, variously serving as future-oriented sources of inspiration, emblems for identification, and weapons for contestation. At the same time, Rodríguez-Muñiz considers why these political actors have struggled to translate this demographic growth into tangible political gain and how concerns about white backlash have affected how they forecast demographic futures. Figures of the Future looks closely at the politics surrounding ethnoracial demographic changes and their rising influence in U.S. public debate and discourse.

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world--from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña--gathered in one magnificent volume. Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists--including 24 Indigenous voices.

"You will never know how it feels to have brown skin and a Mexican name. You will never know what it is like to watch your mother struggle with white words." In this collection of prose pieces, author and scholar Emma Pérez explores the intersection of race, class, gender and sexuality. A Chicanx queer lesbian "who honors my mother and her plight within patriarchal institutions" that limit women's choices and opportunities, Pérez writes about issues-including sexual politics and power relations between Anglo and Hispanic men-that have impacted her Tejano family for generations. A historian by training, her work aims to decolonize the Southwest by uncovering voices from the past that validate multiple experiences.Essays reveal the influence of Gloria Anzaldúa's scholarship; recount the controversy surrounding artist Alma López's digital print, "Our Lady," in which the Virgin of Guadalupe appears in a provocative bikini; and evaluate interviews with 25 LGBTQ people in the El Paso/Ciudad Juárez area to expose life on the border as a queer of color. This collection also includes short fiction and an epistolary love poem to the first feminist of the Americas, Sor Juana Inés de la Cruz, or in this case, Sor Juanx. Bringing together the work of a noted Chicanx writer and academic, this volume reinforces the body of work by LGBTQ people of color dealing with racism and sexism, conquest and colonization, power and privilege, all with a particular emphasis on the Southwest borderlands.

This revised, second edition of The Chicano Experience offers a new interpretation of the social, cultural, and economic forces that shape the situation of Chicanos today. For more than thirty years, and now in its ninth printing, Alfredo Mirandé's The Chicano Experience has captivated readers with its groundbreaking analysis of Chicanos in the United States. Although its original context differs markedly from the current demographic landscape, it remains no less relevant today--Latinos have emerged as the largest minority population in the United States. With updated chapters revised in light of contemporary scholarship, this second edition speaks to the Chicano of today, in addition to puertoriqueños, Central Americans, and other groups who share common experiences of colonization, racialization, and, especially in the last decade, demonization. In this foundational text, Mirandé develops a comprehensive framework for Chicano sociology that, in attending closely to Chicano experience, aims to correct the biases and misconceptions that have prevailed in the field. He demonstrates how the conventional immigrant group model of society, with its focus on assimilation into mainstream American culture, does not apply to Chicanos. Supporting this constructive proposal are analyses of Chicano social history and culture, with chapters focusing on the economy, the border, law, education, family, gender and machismo, and religion. The book concludes with a case study of community attitudes toward the police in an urban barrio. In many ways, the first edition of The Chicano Experience anticipated the sensitivity to the experiences of the underrepresented in American culture. This second edition reaffirms the prescience of Mirandé's work and makes it available to a new generation of students and scholars of Chicano and Latino studies, ethnic and race studies, sociology, and cultural studies.

From the critically acclaimed author of In Cuba I Was a German Shepherd comes a new novel about the search for freedom and the power of community that spans decades of residents in one Florida apartment The Helena is an art deco apartment building that has witnessed the changing face of South Miami Beach for seventy years, observing the lives housed within. Among those who have called apartment 2B home are a Cuban concert pianist who performs in a nursing home; the widow of an intelligence officer raising her young daughter alone; a man waiting on a green card marriage to run its course so that he can divorce his wife and marry his lover, all of whom live together; a Tajik building manager with a secret identity; and a troubled young refugee named Lenin. Each tenant imbues 2B with energy that will either heal or overwhelm its latest resident, Lana, a mysterious woman struggling with her own past. Examining exile, homesickness, and displacement, The Apartment asks what--in our violent and lonely century--do we owe one another? If alone we are powerless before sorrow and isolation, it is through community and the sharing of our stories that we may survive and persevere.

Winner of the 2023 Soft Skull-Kimbilio Publishing Prize, a collection of short stories that elaborate the realities of a diasporic existence, split identities, and the beautiful potency of meaningful connections Primarily told from the perspective of women and children in the Northeast who are tethered to fathers and families in Puerto Rico, these stories explore the cultural confusion of being one person in two places--of having a mother who wants your father and his language to stay on his island but sends you there because you need to know your family. Loudly and joyfully filled with Cousins, Aunts, Grandparents, and budding romances, these stories are saturated in summer nostalgia, and place readers at the center of the table to enjoy family traditions and holidays: the resplendent and universal language of survival for displaced or broken families. Refusing to shy away from dysfunction, loss, obligation, or interrogating Black and Latinx heritages "If we flip the channels fast enough, we can turn almost anyone Puerto Rican, blurring black and white into Boricua." Gautier's stories feature New York neighborhoods made of island nations living with seasonal and perpetual displacement. Like Justin Torres' We the Animals, or Quiara Alegria Hudes' My Broken Language, it's the characters-in-becoming--flanked by family and rich with detail--that animate each story with special frequencies, especially for readers grappling split-identities themselves.

Winner of the National Book Award for Fiction Short-listed for the National Book Critics Circle Award for Fiction, the Los Angeles Times Book Prize for Fiction, the California Book Award for Fiction, and the Lambda Literary Award for Gay Fiction Winner of Tournament of Books A Best Book of the Year: The New York Times Book Review, NPR, The Washington Post, Time, Fresh Air, Vanity Fair, NBC News, The BBC, The Guardian, The Boston Globe, Granta, The New York Public Library, The Washington Independent Review of Books, Electric Literature, Them, Literary Hub, BookPage, Gay Times, Book Soup, Five Books, Southwest Books "Like no book I have ever read." --Ari Shapiro, NPR's All Things Considered Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book--Sex Variants: A Study of Homosexual Patterns--and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan's tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures? A book about storytelling--its legacies, dangers, delights, and potential for change--and a bold exploration of form, art, and love, Justin Torres's Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made--a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

WINNER OF THE PEN/HEMINGWAY AWARD FOR DEBUT NOVEL * This stunning debut chronicles a tumultuous, passionate love affair between two young men from vastly different worlds during one, extraordinary summer in Spain, in what is ultimately a meditation on identity, class, belonging and desire. "Full of so many pleasures--literary, culinary, amorous... Fuentes has created something beautiful, honest, heartbreaking and hopeful." --Andrew Sean Greer, Pulitzer Prize winning author of Less Is Lost It is 2007, and twenty-four-year-old Demetrio is a celebrated pastry chef in New York at the French restaurant Le Bourrelet. This will be his seventh year as the pâtissier and the chef-owner, stern but paternal, feels he should move on. When Demetrio is offered a position as head of pastries at the Four Seasons restaurant in New York, he wants nothing more than to accept it. But as an undocumented immigrant he is terrified that he will be found out, so Demetrio makes the difficult decision to return permanently to his homeland which he has not seen since he was a small child. It will mean leaving the only family he knows--his beloved uncle Chus who has brought him up. On his flight to Madrid, Demetrio sits next to the handsome, playful, and sensitive Jacobo, a student at NYU going home to his aristocratic, fascist family and there is an instant, unacknowledged electricity between them. In dimly lit bars in Madrid and on pebbled beaches by the sea far outside the city, Demetrio and Jacobo's subtle but intense relationship unfolds. Demetrio is tortured by a fear of true intimacy and by anxiety about their class difference. Both are struggling with their identities and sexuality, and they avoid their true feelings until a family tragedy sets them on a collision course back into one another's lives. Countries of Origin is powerfully sensual and moving. Javier Fuentes takes you on a journey that will immerse you in the intense and heartbreaking emotions and conflicts of love and loss.

One more journey to the universe of Roberto Bolaño, an essential voice of contemporary Latin American literature Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In "Cowboy Graves," Arturo Belano--Bolaño's alter ego--returns to Chile after the coup to fight with his comrades for socialism. "French Comedy of Horrors" takes the reader to French Guiana on the night after an eclipse where a seventeen year old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in "Fatherland," a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead. These three fiercely original tales bear the signatures of Bolaño's extraordinary body of work, echoing the strange characters and uncanny scenes of his triumphs, while deepening our reverence for his gifts.

 "Ana Castillo is an American treasure. Fearless, compassionate, and flat-out brilliant--she is the writer we need as we navigate the challenges of our ever-changing world."--Tayari Jones, author of An American Marriage "Ana Castillo is de primera storyteller."--award-winning author Julia Alvarez Literary legend Ana Castillo explores the secrets that are kept within households and the women they impact the most in this breakout collection that cements her place as a leading voice in feminist fiction. The first person in her traditional Mexican American family to graduate from high school, Katia is entering adulthood at a time of turbulent change. Across the nation young people are fighting for civil and women's rights and protesting the Vietnam War and brutal dictatorships in South America. Like so many of her generation, Katia wants to make the world a better place, and is determined to follow her own path.  As she considers moving to California to join La Causa, Mexican American activist Cesar Chavez's movement to improve the working conditions of migrant farmer workers, Katia receives an unexpected gift from her father: a plane ticket to Mexico City. Bring back your mother, he says, tell her, her children need her. And so Katia joins this cause, to get Tina back to Chicago. But it won't be easy. Katia must learn to navigate a liberated version of her mother in a new country where she is now hawking supposedly superior cleaning products, called Donna Clean Well.  Katia is but one of the voices introduced in this dazzling collection of short fiction from revered writer Ana Castillo. Spanning from Chicago to Mexico to New Mexico, the stories in Doña Cleanwell Leaves Home illuminate a chorus of people whose stories will leave you breathless.

Award-winning author and immigration attorney Orlando Ortega-Medina returns to 1990s San Francisco in The Fitful Sleep of Immigrants, a powerful family drama that plays out within a captivating legal thriller. Attorney Marc Mendes, the estranged son of a prominent rabbi and a burned-out lawyer with addiction issues, plots his exit from the big city to a more peaceful life in idyllic Napa Valley. But before realizing his dream, the US government summons his Salvadoran life partner Isaac Perez to immigration court, threatening him with deportation. As Marc battles to save Isaac, his world is further upended by a dark and alluring client who aims to tempt him away from his messy life. Torn between his commitment to Isaac and the pain-numbing escapism offered by his client, Marc is forced to choose between the lesser of two evils while confronting his twin demons of past addiction and guilt over the death of his first lover. Inspired by events that forced the author and his partner to emigrate from the United States because of marriage inequality, The Fitful Sleep of Immigrants is an extraordinary and timely tale about the value of family and friendship, loyalty, and love in the face of adversity. The Fitful Sleep of Immigrants has been long-listed for the UK Polari Prize 2024 and was given an Honorable Mention in the International Latino Book Awards' Best LGBTQ+ Themed Book category.

A TODAY Show Read With Jenna Book Club Pick! A powerful novel about the construction of the Panama Canal, casting light on the unsung people who lived, loved, and labored there It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection. Ada Bunting is a bold sixteen-year-old from Barbados who arrives in Panama as a stowaway alongside thousands of other West Indians seeking work. Alone and with no resources, she is determined to find a job that will earn enough money for her ailing sister's surgery. When she sees a young man--Omar--who has collapsed after a grueling shift, she is the only one who rushes to his aid. John Oswald has dedicated his life to scientific research and has journeyed to Panama in single-minded pursuit of one goal: eliminating malaria. But now, his wife, Marian, has fallen ill herself, and when he witnesses Ada's bravery and compassion, he hires her on the spot as a caregiver. This fateful decision sets in motion a sweeping tale of ambition, loyalty, and sacrifice.  Searing and empathetic,The Great Divide explores the intersecting lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers--those rarely acknowledged by history even as they carved out its course. Named a Most Anticipated Book By:  Washington Post * Book Riot * Electric Literature * LitHub * ELLE * The Millions * Goodreads * Reader's Digest

Armed with only hazy memories, a woman who long ago witnessed her friend's sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed. . . . Maya was a high school senior when her best friend, Aubrey, dropped dead in front of the enigmatic man named Frank whom they'd been spending time with all summer.   Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can't account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer--the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.   At her mother's house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father's book that didn't stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank's cabin. . . .

A NATIONAL BESTSELLER An essential companion to the inspirational classic The Alchemist, filled with timeless stories of reflection and rediscovery. From one of the greatest writers of our age comes a collection of stories and parables unlocking the mysteries of the human condition. Gathered from Paulo Coelho's daily column of the same name, Maktub, meaning "it is written," invites seekers on a journey of faith, self-reflection, and transformation. As Paulo Coelho explains, "Maktub is not a book of advice--but an exchange of experiences." Each story offers an illuminated path to see life and the lives of our fellow people around the world in new ways, allowing us to tap into universal truths about our collective and individual humanity. As Coelho writes, "a man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun . . . ends up blind." These wise tales offer the perspective of talking snakes, old women climbing mountains, disciples querying their masters, Buddha in dialogue, mysterious hermits, and many saints addressing the mysteries of the universe. Following the path of his previous internationally bestselling works, this thoughtful collection of short, inspirational pieces, introduced in a foreword by the author and illustrated with black-and-white line art throughout, will engage seekers of all ages and backgrounds.

An unforgettable graphic memoir about a Mexican-American boy's family and their adventure-filled road trip to bring their abuelito back from Mexico to live with them that National Book Award Finalist Victoria Jamieson calls "one of those books that kids will pass to their friends as soon as they have finished it." Pedro Martin has grown up hearing stories about his abuelito--his legendary crime-fighting, grandfather who was once a part of the Mexican Revolution! But that doesn't mean Pedro is excited at the news that Abuelito is coming to live with their family. After all, Pedro has 8 brothers and sisters and the house is crowded enough! Still, Pedro piles into the Winnebago with his family for a road trip to Mexico to bring Abuelito home, and what follows is the trip of a lifetime, one filled with laughs and heartache. Along the way, Pedro finally connects with his abuelito and learns what it means to grow up and find his grito.

These sixteen stories by award-winning and bestselling YA authors center a Latinx point of view in an empowering anthology that reimagines classics through fantasy, science fiction, and with a dash of magic, for fans of A PHOENIX FIRST MUST BURN and RECLAIM THE STARS In classic stories remixed, Latinx characters take center stage Pride and Prejudice is launched into outer space, Frankenstein is plunged into the depths of the ocean, and The Great Gatsby floats to an island off the coast of Costa Rica. A shape-shifter gives up her life to save the boy she loves from an evil bruja. La Ciguapa covets a little mermaid's heart of gold. Two star-crossed teens fall in love while the planet burns around them. Whether characters fall in love, battle foes, or grow through grief, each story will empower readers to see themselves as the heroes of the stories that make our world. Featuring original stories from: Olivia Abtahi David Bowles Zoraida Córdova Saraciea J. Fennell Raquel Vasquez Gilliland Torrey Maldonado Jasminne Mendez Anna Meriano Amparo Ortiz Laura Pohl Sandra Proudman NoNieqa Ramos Monica Sanz Eric Smith Ari Tison Alexandra Villasante

An epic yet intimate novel about a Colombian man caught up in the sweep of global historical and ideological revolutions. The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family's unusual and dramatic lives: especially his father's, his sister Marianella's and his own.  Growing up in Colombia as the children of famous actors, Sergio and Marianella were privileged and artistic, until their parents became disillusioned with bourgeois conventions and moved the entire family to China. Mao's Cultural Revolution was underway and the family lived in an entirely ex-pat hotel where they learned Chinese and joined the revolution, became members of the Red Guard, and trained as guerilla fighters. When they returned to Colombia to support the revolution there, they were sent into the countryside to join the guerilla force, were shot at and nearly died. Out of these lives molded by ideology and zealotry, came an artistic second life for Sergio as he escaped the movement and became his country's most celebrated film director. From the Spanish Civil War to the exile of his family to Latin America, and from the Cultural Revolution in China to the guerrilla movements of 1960s Colombia, Sergio and his family's experience is extraordinary by any standards. Equal parts family saga and epic historical novel, Retrospective reveals the story of one man and his family -- based on real people and events -- and a devastating portrait of the forces that shaped their lives, and for half a century turned the world upside down.

Imprisoned by the totalitarian government, Dr. Benito Espinoza practices for his weekly interrogations by recounting his story to his thirteen-year-old daughter. He tells her about turning his back on his ability to shift his gender from male to female-to Alejandra-to become a scholar in the Grand Library. Most academics are Residents who inherited their seats and believe Descendants like Ben don't have the intellectual ability to be a person of letters. Ben conforms to the laws against transmuting, so he manages to secure a place in the library. His life's purpose is to prove Descendants are as capable as Residents. But an encounter with a clever, beautiful Descendant leads to his unwitting participation in the rebellion against the Impresario and his White Guards. Soon the shifter is involved with the Rebels, trying to save a younger generation of Descendants and shifters from the horrific experiments and violence perpetrated against them.In a non-linear narrative in which "time is false," author and scholar Emma Pérez offers a fascinating speculative novel about alternate histories, while pondering race, discrimination and transgender people.

NEW YORK TIMES BEST SELLER * The extraordinary rediscovered novel from the Nobel Prize-winning author of Love in the Time of Cholera and One Hundred Years of Solitude--a moving tale of female desire and abandon   Sitting alone beside the languorous blue waters of the lagoon, Ana Magdalena Bach contemplates the men at the hotel bar. She has been happily married for twenty-seven years and has no reason to escape the life she has made with her husband and children. And yet, every August, she travels by ferry here to the island where her mother is buried, and for one night takes a new lover. Across sultry Caribbean evenings full of salsa and boleros, lotharios and conmen, Ana journeys further each year into the hinterland of her desire and the fear hidden in her heart. Constantly surprising, joyously sensual, Until August is a profound meditation on freedom, regret, self-transformation, and the mysteries of love--an unexpected gift from one of the greatest writers the world has ever known.

From the acclaimed author of Dreaming in Cuban, a follow-up novel that tracks four generations of the del Pino family against the tumultuous backdrops of Cuba, the U.S., Germany, and Russia in the new millennium "A beautiful novel: hilarious one moment, haunting the next." --Chris Bohjalian, author of The Flight Attendant and The Lioness Celia del Pino, the matriarch of a far-flung Cuban family, has watched her descendants spread out across the globe, struggling to make sense of their transnational identities and strained relationships with one another. In Berlin, the charismatic yet troubled Ivanito performs on stage as his drag queen persona, while being haunted by the ghost of his mother. Pilar Puente, adrift in Los Angeles, is a struggling sculptor and the single mother of a young son. In Moscow, Ivanito's cousin Irina has become the wealthy owner of a lingerie company, but she remains deeply lonely in the wake of her parents' deaths and her estrangement from her Cuban heritage. Meanwhile, in Havana, Celia prepares to reunite with her lost lover, Gustavo, and wonders whether age and the decades spent apart have altered their bond. Cut off from their Cuban roots, yet still feeling the island's ineluctable pull, Ivanito and his extended family try to reimagine where--and with whom--they belong. Over the course of a momentous year, each will grapple with their histories as they are pulled to Berlin for a final, explosive reunion. Set twenty years after the events in Dreaming in Cuban, Cristina García's new novel is an epic tale of family, devotion, and the timeless search for home.

My Chicano Heart is a collection of author Daniel A. Olivas's favorite previously published tales about love, along with five new stories, that explore the complex, mysterious, and occasionally absurd machinations of people who simply want to be appreciated and treasured. Readers will encounter characters who scheme, search, and flail in settings that are sometimes fantastical and other times mundane: a man who literally gives his heart to his wife who keeps it beating safely in a wooden box; a woman who takes a long-planned trip through New Mexico but, mysteriously, without the company of her true love; a lonely man who gains a remarkably compatible roommate who may or may not be real--just to name a few of the memorable and often haunting characters who fill these pages. Olivas's richly realized stories are frequently infused with his trademark humor, and readers will delight in--and commiserate with--his lovestruck characters.  Each story is drawn from Olivas's nearly twenty-five years of experience writing fiction deeply steeped in Chicano and Mexican culture. Some of the stories are fanciful and full of magic, while others are more realistic, and still others border on noir. All touch upon that most ephemeral and confounding of human emotions: love in all its wondrous forms.  

Scarface meets Moby Dick in Say Hello to My Little Friend--"a masterclass in pace and precision...brilliant" (Nana Kwame Adjei-Brenyah, National Book Award Finalist of Chain Gang All Stars) about a young man's attempt to capitalize on his mother's murky legacy--a story steeped in Miami's marvelous and sinister magic. Failed Pitbull impersonator Ismael Reyes--you can call him Izzy--might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull's legal team and living in his aunt's garage, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana. When Izzy's efforts lead him to the tank that houses Lolita, a captive orca at the Miami Seaquarium, she proves just how powerful she and the water surrounding her really are--permeating everything from Miami's sinking streets to Izzy's memories to the very heart of the novel itself. What begins as Izzy's story turns into a super-saturated fever dream as sprawling and surreal as the Magic City, one as sharp as an iguana's claws, and as menacing as a killer whale's teeth. As the truth surrounding Izzy's boyhood escape from Cuba surfaces, the novel reckons with the forces of nature, with the limits and absence of love, and with the dangers of pursuing a tragic inheritance. "Blistering, hilarious, [and] tragic" (The Miami Herald), Say Hello to My Little Friend is Jennine Capó Crucet's most daring, heartbreaking, and fearless book yet.

Amy M. Alvarez explores the cultural, spiritual, and place-based experiences of Afro-Caribbean and African American diasporic peoples in this haunting and emotionally charged collection of poems that meditates on the meaning of home and existence. Born in New York City to Jamaican and Puerto Rican parents, Alvarez draws readers into a journey of self-discovery and identity, connecting the past with the present while highlighting the complexities of navigating life as a multicultural American. The musicality of her language weaves together themes of environment, family, and migration, as well as her own ancestry as a Black Latinx woman. Makeshift Altar is an intimate collection that explores identities forged by colonialism and displacement and shaped by individual choice and collective power. 

"How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love--but what about our friends ? Those homies who are there all along--cheering for us and reminding us that love is abundant." In this groundbreaking collection of poems, José Olivarez explores every kind of love--self, brotherly, romantic, familial, cultural. Grappling with the contradictions of the American Dream with unflinching humanity, he lays bare the ways in which "love is complicated by forces larger than our hearts." Whether readers enter this collection in English or via the Spanish translation by poet David Ruano, these extraordinary poems are sure to become beloved for their illuminations of life--and love.

PLANTAINS AND OUR BECOMING is an imaginative, blistering, beautifully written poetry collection about identity and history on the island of the Dominican Republic and Haiti to celebrate and center the Black Diasporic experience. Through the exploration of the themes of self-love, nationalism, displacement, generational traumas, and ancestral knowledge, this collection uproots Black stereotypes while creating a new joyous vision for Black identity and personhood, one that is deeply grounded in the heirlooms and teachings of Black celebration as well as preservation. The collection is structured in the following sections: Part I: Daughter of Diaspora, exploring immigration and identity within the U.S. Part II: A History of Plantains, exploring the aftermath of colonialism, displacement and gentrification for Afro-descendants.

This fresh voice in American poetry wields lyric pleasure and well-honed insight against a cruel century that would kill us with a thousand cuts. "Morin's writing uses the mundane details of everyday life...as a jumping-off point for creating fascinating and philosophical worlds." -LitHub "Dios aprieta, pero no ahorca" ("God squeezes, but He doesn't strangle")--the epigraph of Machete--sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tomas Morin hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore. In these poems, culture crashes like waves and leaves behind Billie Holiday and the CIA, disco balls and Dante, the Bible and Jerry Maguire. They are long, lean, and dazzle in their telling- "Whiteface" is a list of instructions for people stopped by the police; "Duct Tape" lauds our domestic life from the point of view of the tape itself. One part Groucho Marx, one part Job, Morin considers our obsession with suffering--"the pain in which we trust"--and finds that the best answer to our predicament is sometimes anger, sometimes laughter, but always via the keen line between them that may be the sharpest weapon we have.

An astonishing collection about interconnectedness--between the human and nonhuman, ancestors and ourselves--from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón. "I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings--and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"? With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions--incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families. Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive."