Women's History Month : New and Noteworthy

"The first thing we did was change our names. We were going to be Sappho," so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: "I want to make life fuller and fuller." Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past. "This book is splendid: Impish, irate, deep, courageous. . . . Brava!"--Lucy Ellmann, author of Ducks, Newburyport

The Booker Prize-winning author of The Luminaries brings us Birnam Wood, a gripping thriller of high drama and kaleidoscopic insight into what drives us to survive. Birnam Wood is on the move . . . A landslide has closed the Korowai Pass on New Zealand's South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last. But the enigmatic American billionaire Robert Lemoine also has an interest in the place: he has snatched it up to build his end-times bunker, or so he tells Birnam's founder, Mira, when he catches her on the property. He's intrigued by Mira, and by Birnam Wood; although they're poles apart politically, it seems Lemoine and the group might have enemies in common. But can Birnam trust him? And, as their ideals and ideologies are tested, can they trust one another?

Amy Chua's debut novel, The Golden Gate, is a sweeping, evocative, and compelling historical thriller that paints a vibrant portrait of a California buffeted by the turbulent crosswinds of a world at war and a society about to undergo massive change. In Berkeley, California, in 1944, Homicide Detective Al Sullivan has just left the swanky Claremont Hotel after a drink in the bar when a presidential candidate is assassinated in one of the rooms upstairs. A rich industrialist with enemies among the anarchist factions on the far left, Walter Wilkinson could have been targeted by any number of groups. But strangely, Sullivan's investigation brings up the specter of another tragedy at the Claremont, ten years earlier: the death of seven-year-old Iris Stafford, a member of the Bainbridge family, one of the wealthiest in all of San Francisco. Some say she haunts the Claremont still. The many threads of the case keep leading Sullivan back to the three remaining Bainbridge heiresses, now adults: Iris's sister, Isabella, and her cousins Cassie and Nicole. Determined not to let anything distract him from the truth--not the powerful influence of Bainbridges' grandmother, or the political aspirations of Berkeley's district attorney, or the interest of China's First Lady Madame Chiang Kai-Shek in his findings--Sullivan follows his investigation to its devastating conclusion. Chua's page-turning debut brings to life a historical era rife with turbulent social forces and groundbreaking forensic advances, when race and class defined the very essence of power, sex, and justice, and introduces a fascinating character in Detective Sullivan, a mixed race former Army officer who is still reckoning with his own history.

A woman boards a Greyhound bus barreling toward Florida to meet her sugar daddy's mother; a state fair employee considers revenge on a local preacher; a sister struggles with guilt as she helps her brother plan to run away with a man he's seeing in secret; a young woman who works for a scam for-profit college navigates the lies she sells for a living.  Darkly funny and deeply human, Good Women observes how place, blood-ties, generational trauma, obsession, and boundaries--or lack thereof--influence how we navigate our small worlds, and how those worlds so often collide in ways we don't expect.

#1 New York Times Bestseller * Goodreads Choice Award Winner "A tour de force of suspenseful pacing and empathetic writing." ―The New York Times "All hail the queen of dark academia!" ―NPR Wealth. Power. Murder. Magic. The Ivy League is going straight to hell in the sequel to the smash New York Times bestseller Ninth House from #1 bestselling author Leigh Bardugo. A BEST BOOK OF 2023: Amazon, Barnes & Noble, BookPage, Powell's, and more!! Find a gateway to the underworld. Steal a soul out of hell. A simple plan, except people who make this particular journey rarely come back. But Galaxy "Alex" Stern is determined to break Darlington out of purgatory--even if it costs her a future at Lethe and at Yale. Forbidden from attempting a rescue, Alex and Dawes can't call on the Ninth House for help, so they assemble a team of dubious allies to save the gentleman of Lethe. Together, they will have to navigate a maze of arcane texts and bizarre artifacts to uncover the societies' most closely guarded secrets, and break every rule doing it. But when faculty members begin to die off, Alex knows these aren't just accidents. Something deadly is at work in New Haven, and if she is going to survive, she'll have to reckon with the monsters of her past and a darkness built into the university's very walls. Thick with history and packed with Bardugo's signature twists, Hell Bent brings to life an intricate world full of magic, violence, and all too real monsters.

Christmas is coming and Harry's to-do list is a mile long. The days are filled with delivering holiday baskets to neighbors in need, chopping down the perfect tree with her best friend, Susan Tucker, and hunting for that elusive special gift for her beloved husband, Pharamond "Fair" Harristeen. Harry also decides to try her hand at dog showing, enrolling her handsome Irish Wolfhound puppy Pirate in classes to prepare for a future exhibition. Through it all, holiday cheer--and plenty of treats for Pirate--keep spirits high. But the holidays aren't cheerful for everyone. Harry's friend on the police force, Cynthia Cooper, warns that the season can bring an uptick in crime. Her words prove tragically prescient when Harry and Susan discover the dead body of a man by the side of the road, without any clues to his identity. One suspicious death is bad enough, but when Cooper reports that two more bodies have been found, also unidentified, Harry knows trouble is afoot. The autopsies for all three bodies reveal the presence of a deadly drug. Could their deaths have been accidental, or is a devious killer on the prowl? With help from her feline sidekicks, Mrs. Murphy and Pewter, as well as Tee Tucker the corgi and Pirate, Harry vows to find the answers and stop the spate of deaths so that all of Crozet can have a very merry Christmas.

Armed with only hazy memories, a woman who long ago witnessed her friend's sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed. . . . Maya was a high school senior when her best friend, Aubrey, dropped dead in front of the enigmatic man named Frank whom they'd been spending time with all summer.   Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can't account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer--the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.   At her mother's house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father's book that didn't stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank's cabin. . . .

1950s Philadelphia: fifteen-year-old Ruby Pearsall is on track to becoming the first in her family to attend college. But a taboo love affair threatens to pull her back down into the poverty and desperation that has been passed on to her like a birthright. Eleanor Quarles arrives in Washington, DC, with ambition and secrets. When she meets the handsome William Pride at Howard University, they fall madly in love. But William hails from one of DC's elite wealthy Black families, and his parents don't let just anyone into their fold. Eleanor hopes that a baby will make her finally feel at home in William's family and grant her the life she's been searching for. But having a baby--and fitting in--is easier said than done. With their stories colliding in the most unexpected of ways, Ruby and Eleanor will both make decisions that shape the trajectory of their lives.

A successful film professor and podcaster, Bodie Kane is content to forget her past--the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia's death and the conviction of the school's athletic trainer, Omar Evans, are hotly debated online, Bodie prefers--needs--to let sleeping dogs lie. But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn't as much of an outsider at Granby as she'd thought--if, perhaps, back in 1995, she knew something that might have held the key to solving the case. In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation into collective memory and a deeply felt examination of one woman's reckoning with her past, with a transfixing mystery at its heart. Timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.

The latest New York Times bestseller from beloved author Alice Hoffman celebrates the enduring magic of books and is a "wonderful story of love and growth" (Stephen King). One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia's mother, Ivy, and their life inside the Community--an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her? Through a journey of heartbreak, love, and time, Mia must abandon the rules she was raised with at the Community. As she does, she realizes that reading can transport you to other worlds or bring them to you, and that readers and writers affect one another in mysterious ways. She learns that time is more fluid than she can imagine, and that love is stronger than any chains that bind you. As a girl Mia fell in love with a book. Now as a young woman she falls in love with a brilliant writer as she makes her way back in time. But what if Nathaniel Hawthorne never wrote The Scarlet Letter? And what if Mia Jacob never found it on the day she planned to die? From "the reigning queen of magical realism" (Kristin Hannah, New York Times bestselling author), this is the story of one woman's dream. For a little while it came true.

The award-winning author of How Much of These Hills Is Gold returns with a rapturous and revelatory novel about a young chef whose discovery of pleasure alters her life and, indirectly, the world A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world's troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body. In this atmosphere of hidden wonders and cool, seductive violence, the chef's boundaries undergo a thrilling erosion. Soon she is pushed to the center of a startling attempt to reshape the world far beyond the plate. Sensuous and surprising, joyous and bitingly sharp, told in language as alluring as it is original, Land of Milk and Honey lays provocatively bare the ethics of seeking pleasure in a dying world. It is a daringly imaginative exploration of desire and deception, privilege and faith, and the roles we play to survive. Most of all, it is a love letter to food, to wild delight, and to the transformative power of a woman embracing her own appetite.

Teenage sisters Eve and Vera never imagined their summer vacation would be spent in the Arctic, tagging along on their mother's scientific expedition. But there's a lot about their lives lately that hasn't been going as planned, and truth be told, their single mother might not be so happy either. Now in Siberia with a bunch of serious biologists, Eve and Vera are just bored enough to cause trouble. Fooling around in the permafrost, they accidentally discover a perfectly preserved, four-thousand-year-old baby mammoth, and things finally start to get interesting. The discovery sets off a surprising chain of events, leading mother and daughters to go rogue, pinging from the slopes of Siberia to the shores of Iceland to an exotic animal farm in Italy, and resulting in the birth of a creature that could change the world - or at least this family. The Last Animal takes readers on a wild, entertaining, and refreshingly different kind of journey, one that explores the possibilities and perils

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it's the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel-prize nominated grudge-holder who falls in love with--of all things--her mind. True chemistry results.  But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America's most beloved cooking show Supper at Six. Elizabeth's unusual approach to cooking ("combine one tablespoon acetic acid with a pinch of sodium chloride") proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn't just teaching women to cook. She's daring them to change the status quo.   Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.   Annis, sold south by the white enslaver who fathered her, is the reader's guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.   From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land--the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward's most magnificent novel yet, a masterwork for the ages.  

A RECOMMENDED READ FROM: The Washington Post * Atlanta Journal-Constitution * CrimeReads * Library Journal A gripping, radically intimate debut novel about a group of enslaved women staging a covert rebellion against their owners On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and gather in the woods under the cover of night. The Lucys--as they call the plantation owners, after Lucifer himself--have decided to turn around the farm's bleak financial prospects by making the women bear children. They have hired a "stockman" to impregnate them. But the women are determined to protect themselves. Now each of the six faces a choice. Nan, the doctoring woman, has brought a sack of cotton root clippings that can stave off children when chewed daily. If they all take part, the Lucys may give up and send the stockman away. But a pregnancy for any of them will only encourage the Lucys further. And should their plan be discovered, the consequences will be severe. Visceral and arresting, Night Wherever We Go illuminates each woman's individual trials and desires while painting a subversive portrait of collective defiance. Unflinching in her portrayal of America's gravest injustices, while also deeply attentive to the transcendence, love, and solidarity of women whose interior lives have been underexplored, Tracey Rose Peyton creates a story of unforgettable power.

NATIONAL BESTSELLER * From the bestselling, award-winning author of The Handmaid's Tale and The Testaments, a dazzling collection of short stories that look deeply into the heart of family relationships, marriage, loss and memory, and what it means to spend a life together "If you consider yourself an Atwood fan and have only read her novels: Get your act together. You've been missing out." --The New York Times Book Review, Rebecca Makkai, best-selling author of The Great Believers Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories--some of which have appeared in The New Yorker and The New York Times Magazine--explore the full warp and weft of experience, speaking to our unique times with Atwood's characteristic insight, wit and intellect.  The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; "Impatient Griselda" explores alienation and miscommunication with a fresh twist on a folkloric classic; and "My Evil Mother" touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love--and what comes after. Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.

Paris, 1939: Young mothers Elise and Juliette become fast friends the day they meet in the beautiful Bois de Boulogne. Though there is a shadow of war creeping across Europe, neither woman suspects that their lives are about to irrevocably change. When Elise becomes a target of the German occupation, she entrusts Juliette with the most precious thing in her life--her young daughter, playmate to Juliette's own little girl. But nowhere is safe in war, not even a quiet little bookshop like Juliette's Librairie des Rêves, and, when a bomb falls on their neighborhood, Juliette's world is destroyed along with it. More than a year later, with the war finally ending, Elise returns to reunite with her daughter, only to find her friend's bookstore reduced to rubble--and Juliette nowhere to be found. What happened to her daughter in those last, terrible moments? Juliette has seemingly vanished without a trace, taking all the answers with her. Elise's desperate search leads her to New York--and to Juliette--one final, fateful time.

A GOOD MORNING AMERICA BOOK CLUB PICK * This beautiful, page-turning and redemptive story of a mother's gripping journey across the Caribbean to find her stolen children and piece her family back together is a "celebration of motherhood and female resilience" (The Observer). "A powerful novel that explores how freedom and family are truly defined"--Marie Benedict, New York Times bestselling coauthor of The Personal Librarian Named a Most Anticipated Book of 2023 by Real Simple, Goodreads, AARP, Boston.com, BookBub and BookRiot   Her search begins with an ending.... The master of the Providence plantation in Barbados gathers his slaves and announces the king has decreed an end to slavery. As of the following day, the Emancipation Act of 1834 will come into effect. The cries of joy fall silent when he announces that they are no longer his slaves; they are now his apprentices. No one can leave. They must work for him for another six years. Freedom is just another name for the life they have always lived. So Rachel runs.   Away from Providence, she begins a desperate search to find her children--the five who survived birth and were sold. Are any of them still alive? Rachel has to know. The grueling, dangerous journey takes her from Barbados then, by river, deep into the forest of British Guiana and finally across the sea to Trinidad. She is driven on by the certainty that a mother cannot be truly free without knowing what has become of her children, even if the answer is more than she can bear. These are the stories of Mary Grace, Micah, Thomas Augustus, Cherry Jane and Mercy. But above all this is the story of Rachel and the extraordinary lengths to which a mother will go to find her children...and her freedom.

In this "riveting, heartfelt" novel of love and consequences (Heather Morris, New York Times bestselling author of The Tattooist of Auschwitz), a woman dreams of becoming a doctor until World War II leads her instead into an astonishing love--and a fateful choice. Is it possible to fall in love at the edge of life? Lena has lived a long, quiet life on her farm in Wales, alongside her husband and child. But as her end approaches, buried memories begin to return. Of her childhood in Poland, and her passion for science. Of the early days of her marriage, reluctant wife to an army officer. Of the birth of her daughter, whose arrival changed everything. Memories less welcome return, too. Her Polish village, transformed overnight by the Soviets, and the war that doomed her entire family to the frigid work camps of the Siberian tundra. And buried in that blinding snow, amongst the darkness of survival, the most haunting memory of all: that of an extraordinary new love. Exploring motherhood, marriage, consequences, and our incredible human capacity for hope, The Snow Hare is the story of a woman who dares to love and to dream in the face of impossible odds, and of the peace we each must make with our choices, even long after the years have gone by.

INSTANT NEW YORK TIMES BESTSELLER! "Very few authors have the power to make you laugh on one page and cry on the next. Moyes is one of them." --The New York Times A story of mix-ups, mess-ups and making the most of second chances, this is the new novel from #1 New York Times bestselling author Jojo Moyes, author of Me Before You and The Giver of Stars Who are you when you are forced to walk in someone else's shoes? Nisha Cantor lives the globetrotting life of the seriously wealthy, until her husband announces a divorce and cuts her off. Nisha is determined to hang onto her glamorous life. But in the meantime, she must scramble to cope--she doesn't even have the shoes she was, until a moment ago, standing in. That's because Sam Kemp - in the bleakest point of her life - has accidentally taken Nisha's gym bag. But Sam hardly has time to worry about a lost gym bag--she's struggling to keep herself and her family afloat. When she tries on Nisha's six-inch high Christian Louboutin red crocodile shoes, the resulting jolt of confidence that makes her realize something must change--and that thing is herself. Full of Jojo Moyes' signature humor, brilliant storytelling, and warmth, Someone Else's Shoes is a story about how just one little thing can suddenly change everything.

Opal is a lot of things--orphan, high school dropout, full-time cynic and part-time cashier--but above all, she's determined to find a better life for her younger brother Jasper. One that gets them out of Eden, Kentucky, a town remarkable for only two things: bad luck and E. Starling, the reclusive nineteenth century author of The Underland, who disappeared over a hundred years ago. All she left behind were dark rumors--and her home. Everyone agrees that it's best to ignore the uncanny mansion and its misanthropic heir, Arthur. Almost everyone, anyway. I should be scared, but in the dream I don't hesitate. Opal has been obsessed with The Underland since she was a child. When she gets the chance to step inside Starling House--and make some extra cash for her brother's escape fund--she can't resist. But sinister forces are digging deeper into the buried secrets of Starling House, and Arthur's own nightmares have become far too real. As Eden itself seems to be drowning in its own ghosts, Opal realizes that she might finally have found a reason to stick around. In my dream, I'm home. And now she'll have to fight. Welcome to Starling House: enter, if you dare.

A searing and tender novel about a young Black journalist's search for answers in the unsolved murder of her great-grandfather in segregated Birmingham, Alabama, decades ago--inspired by the author's own family history Birmingham, 1929: Robert Lee Harrington, a master carpenter, has just moved to Alabama to pursue a job opportunity, bringing along his pregnant wife and young daughter. Birmingham is in its heyday, known as the "Magic City" for its booming steel industry, and while Robert and his family find much to enjoy in the city's busy markets and vibrant nightlife, it's also a stronghold for the Klan. And with his beautiful, light-skinned wife and snazzy car, Robert begins to worry that he might be drawing the wrong kind of attention.    2019: Meghan McKenzie, the youngest reporter at the Detroit Free Press, has grown up hearing family lore about her great-grandfather's murder--but no one knows the full story of what really happened back then, and his body was never found. Determined to find answers to her family's long-buried tragedy and spurred by the urgency of the Black Lives Matter movement, Meghan travels to Birmingham. But as her investigation begins to uncover dark secrets that spider across both the city and time, her life may be in danger.     Inspired by true events, Time's Undoing is both a passionate tale of one woman's quest for the truth behind the racially motivated trauma that has haunted her family for generations and, as newfound friends and supporters in Birmingham rally around Meghan's search, the uplifting story of a community coming together to fight for change.

A taut and electrifying novel from celebrated bestselling author Lauren Groff, about one spirited girl alone in the wilderness, trying to survive A servant girl escapes from a colonial settlement in the wilderness. She carries nothing with her but her wits, a few possessions, and the spark of god that burns hot within her. What she finds in this terra incognita is beyond the limits of her imagination and will bend her belief in everything that her own civilization has taught her. Lauren Groff's new novel is at once a thrilling adventure story and a penetrating fable about trying to find a new way of living in a world succumbing to the churn of colonialism. The Vaster Wilds is a work of raw and prophetic power that tells the story of America in miniature, through one girl at a hinge point in history, to ask how--and if--we can adapt quickly enough to save ourselves.

Instant New York Times and National Bestseller "A triumph. . . . Winspear creates in Elinor White (the 'White Lady'), a complex, endearing, achingly flawed hero. This is both fast-paced and thoughtful, bold and nuanced, a thriller that is thrillingly human. I loved it." --Louise Penny The White Lady introduces yet another extraordinary heroine from Jacqueline Winspear, creator of the best-selling Maisie Dobbs series. This heart-stopping novel, set in Post WWII Britain in 1947, follows the coming of age and maturity of former wartime operative Elinor White--veteran of two wars, trained killer, protective of her anonymity--when she is drawn back into the world of menace she has been desperate to leave behind. A reluctant ex-spy with demons of her own, Elinor finds herself facing down one of the most dangerous organized crime gangs in London, ultimately exposing corruption from Scotland Yard to the highest levels of government. The private, quiet "Miss White" as Elinor is known, lives in a village in rural Kent, England, and to her fellow villagers seems something of an enigma. Well she might, as Elinor occupies a "grace and favor" property, a rare privilege offered to faithful servants of the Crown for services to the nation. But the residents of Shacklehurst have no way of knowing how dangerous Elinor's war work had been, or that their mysterious neighbor is haunted by her past. It will take Susie, the child of a young farmworker, Jim Mackie and his wife, Rose, to break through Miss White's icy demeanor--but Jim has something in common with Elinor. He, too, is desperate to escape his past. When the powerful Mackie crime family demands a return of their prodigal son for an important job, Elinor assumes the task of protecting her neighbors, especially the bright-eyed Susie. Yet in her quest to uncover the truth behind the family's pursuit of Jim, Elinor unwittingly sets out on a treacherous path--yet it is one that leads to her freedom.

A #1 bestseller on The New York Times, USA Today, Washington Post, and Los Angeles Times! From the celebrated author of The Nightingale and The Four Winds comes Kristin Hannah's The Women--at once an intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided. Women can be heroes. When twenty-year-old nursing student Frances "Frankie" McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path. As green and inexperienced as the men sent to Vietnam to fight, Frankie is over-whelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets--and becomes one of--the lucky, the brave, the broken, and the lost. But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam. The Women is the story of one woman gone to war, but it shines a light on all women who put themselves in harm's way and whose sacrifice and commitment to their country has too often been forgotten. A novel about deep friendships and bold patriotism, The Women is a richly drawn story with a memorable heroine whose idealism and courage under fire will come to define an era.

The year is 2050. Ava and her girlfriend live in what's left of Brooklyn, and though they love each other, it's hard to find happiness while the effects of climate change rapidly eclipse their world. Soon, it won't be safe outside at all. The only people guaranteed survival are the ones whose applications are accepted to The Inside Project, a series of weather-safe, city-sized structures around the world. Jacqueline Millender is a reclusive billionaire/women's rights advocate, and thanks to a generous donation, she's just become the director of the Inside being built on the bones of Manhattan. Her ideas are unorthodox, yet alluring--she's built a whole brand around rethinking the very concept of empowerment. Shelby, a business major from a working-class family, is drawn to Jacqueline's promises of power and impact. When she lands her dream job as Jacqueline's personal assistant, she's instantly swept up into the glamourous world of corporatized feminism. Also drawn into Jacqueline's orbit is Olympia, who is finishing up medical school when Jacqueline recruits her to run the health department Inside. The more Olympia learns about the project, though, the more she realizes there's something much larger at play. When Ava is accepted to live Inside and her girlfriend isn't, she's forced to go alone. But her heartbreak is quickly replaced with a feeling of belonging: Inside seems like it's the safe space she's been searching for... most of the time. Other times she can't shake the feeling that something is deeply off. As she, Olympia, and Shelby start to notice the cracks in Jacqueline's system, Jacqueline tightens her grip, becoming increasingly unhinged and dangerous in what she is willing to do--and who she is willing to sacrifice--to keep her dream alive. At once a mesmerizing story of queer love, betrayal, and chosen family, and an unflinching indictment of cis, corporate feminism, Gabrielle Korn's Yours for the Taking holds a mirror to our own world, in all its beauty and horror.

bell hooks was a prolific, trailblazing author, feminist, social activist, cultural critic, and professor. Born Gloria Jean Watkins, bell used her pen name to center attention on her ideas and to honor her courageous great-grandmother, Bell Blair Hooks. hooks's unflinching dedication to her work carved deep grooves for the feminist and anti-racist movements. In this collection of 7 interviews, stretching from early in her career until her last interview, she discusses feminism, the complexity of rap music and masculinity, her relationship to Buddhism, the "politic of domination," sexuality, and love and the importance of communication across cultural borders. Whether she was sparking controversy on campuses or facing criticism from contemporaries, hooks relentlessly challenged herself and those around her, inserted herself into the tensions of the cultural moment, and anchored herself with love.

Bitches in Bonnets examines how six novels of quiet English life, penned by parochial Regency spinster Jane Austen, still provide insight on female relationships after all these years and how Austen's writing - and our reading of it - offers solace to millions of fans worldwide.

An uplifting collection of speeches by African American women, curated by the civil and human rights activist, scholar, and author When Mary Ann Shadd Cary--the first Black woman publisher in North America--declared, "break every yoke . . . let the oppressed go free" to congregants in Chatham, Canada, in 1858, she joined a tradition of African American women speaking for their own liberation. Drawing from a rich archive of political speeches, acclaimed activist and author Janet Dewart Bell, the author of Lighting the Fires of Freedom, which was nominated for an NAACP Image Award, explores this tradition in Blackbirds Singing.

A first-of-its-kind compelling exploration of what it means to be a Black woman in higher education. Black women are heading to college in record numbers, and more and more Black women are teaching in higher education. But increasing numbers in college don't guarantee our safety there. Willpower and grit may improve achievement for Black people in school, but they don't secure our belonging. In fact, the very structure of higher education ensures that we're treated as guests, outsiders to the institutional family--outnumbered and unwelcome. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency.

Black women's work in television has been, since the beginning, a negotiation. Black Women and the Changing Television Landscape explores the steps black women, as actors, directors, and producers, have taken to improve representations of black people on the small screen. Beginning with The Beulah Show, Anderson articulates the interrelationship between US culture and the televisual, demonstrating the conditions under which black women particularly, and black people generally, exist in popular culture.

In this innovative and insightful book, Elizabeth Engelhardt argues that modern American food, business, caretaking, politics, sex, travel, writing, and restaurants all owe a debt to boardinghouse women in the South. From the eighteenth century well into the twentieth, entrepreneurial women ran boardinghouses throughout the South; some also carried the institution to far-flung places like California, New York, and London. Owned and operated by Black, Jewish, Native American, and white women, rich and poor, immigrant and native-born, these lodgings were often hubs of business innovation and engines of financial independence for their owners. Within their walls, boardinghouse residents and owners developed the region's earliest printed cookbooks, created space for making music and writing literary works, formed ad hoc communities of support, tested boundaries of race and sexuality, and more.

An illuminating and "wholly refreshing" (David Maraniss, New York Times bestselling author) biography of the young Jackie Bouvier Kennedy that covers her formative adventures abroad in Paris; her life as a writer and photographer in Washington, DC; and her romance with a dashing, charismatic Massachusetts congressman who shared her intellectual passion. Camera Girl "shines with wit and intelligence" (Library Journal, starred review) as it brings to life Jackie's years as a young, single woman trying to figure out who she wanted to become.

In Class, Land takes us with her as she finishes college and pursues her writing career. Facing barriers at every turn including a byzantine loan system, food insecurity, the judgments of professors and fellow students who didn't understand the demands of attending college while under the poverty line--Land finds a way to survive once again, finally graduating in her mid-thirties. Class paints an intimate and heartbreaking portrait of motherhood as it converges and often conflicts with personal desire and professional ambition. Who has the right to create art? Who has the right to go to college? And what kind of work is valued in our culture? In clear, candid, and moving prose, Class grapples with these questions, offering a searing indictment of America's educational system and an inspiring testimony of a mother's triumph against all odds.

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world--from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña--gathered in one magnificent volume. Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists--including 24 Indigenous voices.

From the Pulitzer Prize-winning journalist who broke the story, The Exceptions chronicles groundbreaking science and a history-making fight for equal opportunity. It is the "excellent and infuriating" (The New York Times) story of how this group of determined, brilliant women used the power of the collective and the tools of science to inspire ongoing radical change. And it offers an intimate look at the passion that drives discovery, and a rare glimpse into the competitive, hierarchical world of elite science--and the women who dared to challenge it.

This passionate and inspiring book by the New York Times bestselling author of The Hello Girls shows us that the quest for women's rights is deeply entwined with the founding story of the United States. Fearless Women tells the story of women who dared to take destiny into their own hands. They were feminists and antifeminists, activists and homemakers, victims of abuse and pathbreaking professionals. Inspired by the nation's ideals and fueled by an unshakeable sense of right and wrong, they wouldn't take no for an answer. In time, they carried the country with them.

The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the "Dark" Ages were anything but. Oxford and BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word FEMINA annotated beside them. In Femina, Ramirez invites us to see the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories.

Alejandra Campoverdi has been a child on welfare, a White House aide to President Obama, a Harvard graduate, a gang member's girlfriend, and a candidate for U.S. Congress. She's ridden on Air Force One and in G-rides. She's been featured in Maxim magazine and had a double mastectomy. Living a life of contradictory extremes often comes with the territory when you're a "First and Only." It also comes at a price.   With candor and heart, Alejandra retraces her trajectory as a Mexican American woman raised by an immigrant single mother in Los Angeles.

Formidable provides a sweeping, century-long perspective, and an expansive cast of change agents. From feminists and civil rights activists to politicians and social justice advocates, from working class women to mothers and homemakers, from radicals and conservatives to those who were offended by feminism, threatened by social change, or convinced of white supremacy, the diversity of the women's movement mirrors America. After that landmark victory in 1920, suffragists had a sense of optimism, declaring, "Now we can begin!" By 2020, a new generation knew how hard the fight for incremental change was; they would have to begin again. Both engaging and outraging, 

In 1966 in Rabun County, Georgia, a group of high school English students created theFoxfire magazine, a literary journal that celebrated Appalachian stories, peoples, and culture. The publication was filled with poetry and prose from local students and authors and featured interviews with community members. These oral histories quickly became the focal point of the magazine and, eventually, the material that generated the multivolume Foxfire book series. Now, pulled from the vast Foxfire archive comes the first volume in the series focused specifically on the lives of Appalachian women.

Heroines in History: A Thousand Faces moves beyond stories of individual heroines, taking a thematic, synthesising and global in scope approach to challenge previous understandings of heroines in history. Responding to Joseph Campbell's Hero with a Thousand Faces, Katie Pickles explores the idea of a transcultural heroine archetype that recurs through time. Each chapter addresses an archetypal theme important for heroines in history. The volume offers a new consideration of the often-awkward position of women in history and embeds heroines in the context of their times, as well as interpreting and analysing how their stories are told, re-told and represented at different moments. To do so it recovers and compares some women now forgotten, along with well-known recent heroines and brings together a diversity of women from around the world. Pickles looks at the interplay of gender, race, heredity status, class and politics in different ways and chronicles the emergence of heroines as historical subjects valued for their substance and achievements, rather than as objects valued for their image and celebrity. In an accessible and original way, the book builds upon developments in women's and gender history and is essential reading for anyone interested in this field.

An alternative history of the Renaissance--as seen through the emerging literature of beauty tips--focusing on the actresses, authors, and courtesans who rebelled against the misogyny of their era. Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this fascinating period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Telling the stories of courtesans, artists, actresses, and writers rebelling against the strictures of their time, when burgeoning colonialism gave rise to increasingly sinister evaluations of bodies and skin color, this book puts beauty culture into the frame.

How the idea of the author was born in the battleground of gender When Sappho sang her songs, the only word that existed to describe a poet was a male one--aoidos, or "singer-man." The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In How Women Became Poets, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone.

In Her Own Name explores the origins and consequences of laws guaranteeing married women's property rights, focusing on the people and institutions that shaped them. Sara Chatfield demonstrates that the motives of male elites included personal interests, benefits to the larger economy, and bolstering state power. She shows that married women's property rights could serve varied political goals across regions and eras, from temperance to debt relief to settlement of the West. Drawing on a mix of qualitative and quantitative evidence, In Her Own Name sheds new light on the place of women in the fitful democratization of the United States.

Recovering the bold voices and audacious lives of women who confronted capitalist society's failures and injustices in the 1930s--a decade unnervingly similar to our own   In the Company of Radical Women Writers rediscovers the political commitments and passionate advocacy of seven writers--Black, Jewish, and white--who as young women turned to communism around the Great Depression and, over decades of national crisis, spoke to issues of labor, land, and love in ways that provide urgent, thought-provoking guidance for today. Rosemary Hennessy spotlights the courageous lives of women who confronted similar challenges to those we still face: exhausting and unfair labor practices, unrelenting racial injustice, and environmental devastation.

A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr. In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America's slide into Civil War.

Women's sports receive a fraction of the airtime allotted for men's sports, as well as a fraction of the marketing dollars, media coverage, and training resources. For every dollar that the NBA's highest-paid player brings home, the WNBA's highest-paid player earns just half a cent. But while misogyny in sports is particularly visible, it's not unique. Women athletes face the same sexist barriers found in all career fields. But women in sports are fighting back, debunking myths that women aren't as skilled, competitive, or capable of generating revenue as men. Drawing on exclusive interviews with prominent athletes, journalist Macaela Mackenzie shows how women are using sports as a platform for change.

In 1933, Hannah Pick-Goslar and her family fled Nazi Germany to live in Amsterdam, where she struck up a close friendship with her next-door neighbor, an outspoken and fun-loving young girl named Anne Frank. In this long‑awaited memoir, Hannah shares the story of her childhood during the Holocaust, from the introduction of anti-Jewish laws in Amsterdam to the gradual disappearance of classmates and, eventually, the Frank family, to Hannah and her family's imprisonment in the Bergen-Belsen concentration camp. As Hannah chronicles the experiences of her own life during and after the war, she provides a searing look at what countless children endured at the hands of the Nazi regime, as well as an intimate, never‑before‑seen portrait of the most recognizable victim of the Holocaust. Culminating in an astonishing fateful reunion, My Friend Anne Frank is the profoundly moving story of childhood and friendship during one of the darkest periods in the world's history.

Why do women equate self-denial with being good? We congratulate ourselves when we resist the donut in the office breakroom. We celebrate our restraint when we hold back from sending an email in anger. We feel virtuous when we wake up at dawn to get a jump on the day. We put others' needs ahead of our own and believe this makes us exemplary. In On Our Best Behavior, journalist Elise Loehnen explains that these impulses--often lauded as unselfish, distinctly feminine instincts--are actually ingrained in us by a culture that reaps the benefits, via an extraordinarily effective collection of mores known as the Seven Deadly Sins.

While many know of Saint Augustine and his Confessions, few are aware of how his life and thought were influenced by women. Queens of a Fallen World tells a story of betrayal, love, and ambition in the ancient world as seen through a woman's eyes. Historian Kate Cooper introduces us to four women whose hopes and plans collided in Augustine's early adulthood: his mother, Monnica of Thagaste; his lover; his fiancée; and Justina, the troubled empress of ancient Rome. Drawing upon their depictions in the Confessions, Cooper skilfully reconstructs their lives against the backdrop of their fourth-century society. Though they came from different walks of life, each found her own way of prevailing in a world ruled by men.

The newest book from V (formerly Eve Ensler), Reckoning invites you to travel the journey of a writer's and activist's life and process over forty years, representing both the core of ideas that have become global movements and the methods through which V survived abuse and self-hatred. Seamlessly moving from the internal to the external, the personal to the political, Reckoning is a moving and inspiring work of prose, poetry, dreams, letters, and essays drawn from V's lifelong journals that takes readers from Berlin to Oklahoma to the Congo, from climate disaster, homelessness, and activism to family.

Shaking up New York and national politics by becoming the first African American congresswoman and, later, the first Black major-party presidential candidate, Shirley Chisholm left an indelible mark as an "unbought and unbossed" firebrand and a leader in politics for meaningful change. Anastasia C. Curwood interweaves Chisholm's public image, political commitments, and private experiences to create a definitive account of a consequential life. In so doing, Curwood suggests new truths for understanding the social movements of Chisholm's time and the opportunities she forged for herself through multicultural, multigenerational, and cross-gender coalition building.

The construction of the Panama Canal is typically viewed as a marvel of American ingenuity. What is less visible, and less understood, is the project's dependence on the labor of Black migrant women. The Silver Women shifts the focus of this monumental endeavor to the West Indian women who travelled to Panama, inviting readers to place women's intimate lives, choices, grief, and ambition at the center of the economic and geopolitical transformation created by the construction of the Panama Canal and U.S. imperial expansion.

Born in 1945, Ruth J. Simmons grew up the twelfth child of sharecroppers. Her first home had no running water, no electricity, no books to read. Yet despite this-or, in her words, because of it-Simmons would becomethe first Black president of an Ivy League university. The former president of Smith College, Brown University, and Prairie View A&M, Texas's oldest HBCU, Simmons has inspired generations of students as she herself made history. In Up Home, Simmons takes us back to Grapeland to show how the people who love us when we are young shape who we become.

Award-winning historian Amrita Chakrabarti Myers has recovered the riveting, troubling, and complicated story of Julia Ann Chinn (ca. 1796-1833), the enslaved wife of Richard Mentor Johnson, owner of Blue Spring Farm, veteran of the War of 1812, and US vice president under Martin Van Buren. What makes Chinn's life exceptional is the power that Johnson invested in her, the opportunities the couple's relationship afforded her and her daughters, and their community's tacit acceptance of the family. When the family left their farm, they faced steep limits. Johnson's relationship with Chinn ruined his political career and Myers compellingly demonstrates that it wasn't interracial sex that led to his downfall but his refusal to keep it--and Julia Chinn--behind closed doors.

The Visionary Queen affirms Marguerite de Navarre's status not only as a political figure, author, or proponent of nonschismatic reform but also as a visionary. In her life and writings, the queen of Navarre dissected the injustices that her society and its institutions perpetuated against women. We also see evidence that she used her literary texts, especially the Heptaméron, as an exploratory space in which to generate a creative vision for institutional reform. The Heptaméron's approach to reform emerges from statistical analysis of the text's seventy-two tales, which reveals new insights into trends within the work.

Sojourner Truth's powerful voice calls to us through this evocative narrative of faith in action--and her words are more relevant than ever.    Though born into slavery, Sojourner Truth would defy the limits placed upon her as a Black woman to become one of the nineteenth century's most renowned female preachers and civil rights advocates. In We Will Be Free, Nancy Koester chronicles her spiritual journey as an enslaved woman, a working mother, and an itinerant preacher and activist.

This book surveys women's involvement in medieval crusading between the second half of the eleventh century, when Pope Gregory VII first proposed a penitential military expedition to help the Christians of the East, and 1570, when the last crusader state, Cyprus, was captured by the Ottoman Turks. It considers women's actions not only on crusade battlefields but also in recruiting crusaders, supporting crusades through patronage, propaganda, and prayer, and as both defenders and aggressors. It argues that medieval women were deeply involved in the crusades but the roles that they could play and how their contemporaries recorded their deeds were dictated by social convention and cultural expectations.

From the author of the groundbreaking, award-winning No Visible Bruises, a riveting memoir of survival, self-discovery, and forgiveness sure to captivate readers who loved Tara Westover's Educated and Jeanette Walls' The Glass Castle. For decades, Rachel Louise Snyder has been a fierce advocate reporting on the darkest social issues that impact women's lives. A piercing account of Snyder's journey from teenage runaway to reporter on the global epidemic of domestic violence, Women We Buried, Women We Burned is a memoir that embodies the transformative power of resilience.

Foregoing motherhood has traditionally marked a woman as "other." With no official place setting for her in our society, she has hovered on the sidelines: the quirky girl, the neurotic career obsessive, the "eccentric" aunt. Instead of continuing to paint women without kids as sad, self-obsessed, or somehow dysfunctional, what if we saw them as boldly forging a first-in-a-civilization vision for a fully autonomous womankind? Or as journalist and thought leader Ruby Warrington asks, What if being a woman without kids were in fact its own kind of legacy? Taking in themes from healing to feminism to environmentalism, this personal look and anthropological dig into a stubbornly taboo topic is a timely and brave reframing of what it means not to be a mom.

Joan Didion was a writer's writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life's telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists. An antidote to a global view that narrows our vision to the smallest screens, The World According To Joan Didion is a meditation on the people, places, and objects that propelled Didion's prose and an invitation to journalists, storytellers, and life adventurers to "throw themselves into the convulsions of the world," as she once said.

From the 1920s when Zelda Popkin worked in the highly competitive and male-dominated public relations business to her rise as a million selling author of popular fiction beginning in the 1940s, including some of the earliest fiction on the Holocaust and the state of Israel, Zelda's life and work documented the rise of American Jewish women. In this biography, her historian grandson, Jeremy D. Popkin uses Zelda's experience to bring to life a larger story of American Jews and American women in the twentieth century, with the vividness that comes from having a lively character at its center. At the same time, this will also be a story about a woman whose powerful personality profoundly influenced several generations of a family.