A heavily illustrated discussion of the development of Interference Archive as a unique and enduring counter-institution rooted in preserving and sharing the culture of social movements. Hoyer and MacPhee lay out the history and principles behind Interference and what makes it unique but also feature and platform a half dozen other archives doing similar work in the US.
This zine developed out of a series of images I started making after the white supremacist attacks on antiracist protestors in Charlottesville, NC in August 2017, including the murder of Heather Heyer. The re-purposing of El Lissitsky’s Red Wedge seemed perfect here, not simply re-using historical political imagery, but giving it new life.